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LETTERS

Having read James Brining’s column with reference to the Dundee Rep company, as an actress who lives locally, I’d like to make a few...

We write to congratulate Indhu Rubasingham and everyone at Kiln Theatre – producers, creative learning team, administrators, box office, everyone – on the great...

I’ve worked across the creative industries as a writer/producer. I’m now writing for theatre. I was amazed to read that casting directors and theatres...

Peter Dawe suggests that acts visiting the Broadway Theatre “are as culpable as Performance Art Ventures” for the failure of the theatre’s strategy...

This is such a shock and very sad. My daughters have been attending CPA for the last nine years. They attended the weekend school...

A last call for the Redgrave Theatre – its demolition is planned to take place between December 10, 2018 and March 4, 2019, according...

Aladdin provides a fitting introduction for kids to theatre and fosters another generation of racism where my future kids get addressed as the “Chow...

Thank you Mark Shenton, Daniel York Loh and Richard Jordan for discussing problematic revivals. There are two broad approaches to this: first, try not to...

Your article highlighting the under-representation of disabled students in UK drama schools makes a number of valid and timely points. However, it fails to reflect...

I was extremely disappointed by your column (Editor’s View: ‘Ramin Gray case underlines challenge of balancing fairness and transparency’, July 5, p6). Gray’s board have...

The report ‘Collapse of Millie tour prompts warning over ‘ropey’ contracts’ (News, June 28, p1) outlines a problem with contracts for artists and also...

Is it acceptable that producers are casting shows under the title The Best of the West End – at the Royal Albert Hall on...
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