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LETTERS

I note that “excellence in arts education” is to be an offstage category in the 2019 UK Theatre Awards (‘UK Theatre revamps awards for...

News that nearly a third of students do not know our greatest playwright is deeply concerning and does not bode well for the future. As...

It was a wonderful experience to have Cicely Berry work on plays of mine at the Royal Shakespeare Company in the 1980s and 1990s. She...

As a fan, having attended 201 performances of Billy Elliot the Musical across Europe, I was dumbstruck to learn that the show was closed...

Neil Rathmell’s letter (Comment, October 4, p6) was unfair to Lyn Gardner when it suggested her column on the first Amateur Theatre Fest had...

One thing troubled me about Lyn Gardner’s column on the first Amateur Theatre Fest: the point of view is always and only that of...

Deborah Aydon’s boat arrived into the Royal Albert Dock just as mine set sale (‘Liverpool theatres’ Deborah Aydon steps down’). A born-and-bread Scouser, I...

I enjoyed Phil Willmott’s article, ‘Top tips on choosing the best fringe venue for you’ (The Half, August 30, p25). However, there was one rather...

Having read James Brining’s column with reference to the Dundee Rep company, as an actress who lives locally, I’d like to make a few...

We write to congratulate Indhu Rubasingham and everyone at Kiln Theatre – producers, creative learning team, administrators, box office, everyone – on the great...

I’ve worked across the creative industries as a writer/producer. I’m now writing for theatre. I was amazed to read that casting directors and theatres...

Peter Dawe suggests that acts visiting the Broadway Theatre “are as culpable as Performance Art Ventures” for the failure of the theatre’s strategy...
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