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LETTERS

Reviewers are supposed to be employees of the publisher. Mumble is using the writers’ work to get traffic, which is monetisable. It’s incredible how...

It was interesting to read about the performer sleeping under the bridge last week, but unfortunately for some of us closer to that particular...

If immersive theatre is a threat to the actors, I have an idea: why not try putting it in a big room, getting a...

I work as a technician in a prominent regional receiving house. Of the 12 shows (excluding musicals) we have so far hosted this season,...

As a female working in a largely male environment, I was struck with such a sense of empowerment and pride reading Paule Constable’s article...

Walking out of the National Theatre's Tartuffe recently, I felt a vague sense of discomfort. It was because one of the play’s longest jokes...

In his speech reported on your front page (April 11), Arts Council England’s Simon Mellor declares that “relevance” will be “the new litmus test”...

With reference to your article 'Arts Council: Relevance not excellence will be new litmus test for funding', while I’m pleased to see my speech...

In light of the lack of women in writing and directing positions in the National Theatre’s season release, I think there is a case...

An open letter to Rufus Norris and the programming team at the National Theatre... We all know there’s a problem with representation in theatre –...

In his column ‘Illogical Oliviers eligibility needs a serious shake-up’, Matt Trueman suggests that the Olivier award for outstanding achievement in an affiliate theatre...

Your news story (‘Backstage staff are pushed to breaking point’) focuses on lighting programmers. However, throughout the industry there is a workforce (no matter...
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