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LETTERS

Neil Rathmell’s letter (Comment, October 4, p6) was unfair to Lyn Gardner when it suggested her column on the first Amateur Theatre Fest had...

One thing troubled me about Lyn Gardner’s column on the first Amateur Theatre Fest: the point of view is always and only that of...

Deborah Aydon’s boat arrived into the Royal Albert Dock just as mine set sale (‘Liverpool theatres’ Deborah Aydon steps down’). A born-and-bread Scouser, I...

I enjoyed Phil Willmott’s article, ‘Top tips on choosing the best fringe venue for you’ (The Half, August 30, p25). However, there was one rather...

Having read James Brining’s column with reference to the Dundee Rep company, as an actress who lives locally, I’d like to make a few...

We write to congratulate Indhu Rubasingham and everyone at Kiln Theatre – producers, creative learning team, administrators, box office, everyone – on the great...

I’ve worked across the creative industries as a writer/producer. I’m now writing for theatre. I was amazed to read that casting directors and theatres...

Peter Dawe suggests that acts visiting the Broadway Theatre “are as culpable as Performance Art Ventures” for the failure of the theatre’s strategy...

This is such a shock and very sad. My daughters have been attending CPA for the last nine years. They attended the weekend school...

A last call for the Redgrave Theatre – its demolition is planned to take place between December 10, 2018 and March 4, 2019, according...

Aladdin provides a fitting introduction for kids to theatre and fosters another generation of racism where my future kids get addressed as the “Chow...

Thank you Mark Shenton, Daniel York Loh and Richard Jordan for discussing problematic revivals. There are two broad approaches to this: first, try not to...
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