dfp_header_hidden_string

LETTERS

The headline ‘Record slump in regional theatre audiences’ (June 7, p1) , reporting UK Theatre’s sales data for 2017, was misleading. It is far too...

One can understand Douglas Eaton’s critique of the Royal Welsh College of Music and Drama’s move to scrap grading for first-year students to mitigate...

I have a feeling that arguments about diversity will be with us for some time to come, but perhaps all of this needs to...

This is not a debate that can be easily settled. Training institutions find themselves the meat in a decidedly awkward sandwich. On the one...

We, the undersigned, gather that, after nearly 23 years, the Guardian is not renewing Lyn Gardner’s contract as a theatre critic (News, May 10). We...

I don’t have much patience with Mark Rylance’s doubts about the authorship of Shakespeare’s plays, nor any insight into where these doubts come from...

Lyn Gardner is right to point out (‘We have a Shakespeare problem’, April 26) that for people growing up in the UK, Shakespeare can...

Bureaucrats have no idea of the impact of seemingly simplistic regulations (‘Theatres face £180m bill under EU lighting rules’, News, April 19). I am...

I’ve only just caught up with the debate on seat prices and access (‘Think West End tickets are overpriced? Think again’, March 29). But...

As the board of Actors Touring Company, we write in response to last week’s Editor’s View (‘Employers need to better handle harassment’, April 5). The...

I would like to reassure Barrie Stacey (Letters, February 15) that, evidenced from my many visits to drama school, conservatoire, and university stage management...

I heartily agree with your editorial ‘Give National and ENO a break’ (March 22). Thank goodness for common sense. https://www.thestage.co.uk/opinion/2018/editors-view-no-need-go-nuclear-nationals-rufus-norris-enos-daniel-kramer/ It is very easy to criticise...
^