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David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of V...

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A new take on The Turn of the Screw shows the potential of mixing forms

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Equity: Employers should not require workers to be double-jabbed

Equity: Employers should not require workers to be double-jabbed

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Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

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Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

News by Matthew Hemley

Women want to express their trauma in their art – we're writing the changes we want to see

Women want to express their trauma in their art – we're writing the changes we want to see

Opinion by Alex Critoph

Opinion

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Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Let’s re-enter the industry with fresh eyes and be ready for a challenge

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

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Equity: Employers should not require workers to be double-jabbed

Equity: Employers should not require workers to be double-jabbed

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Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Features by Chris Bartlett

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

News by Matthew Hemley

Women want to express their trauma in their art – we're writing the changes we want to see

Women want to express their trauma in their art – we're writing the changes we want to see

Opinion by Alex Critoph

David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of Variety (2006-2014). He is currently writing the authorised biography of Stephen Sondheim and is a regular guest on the BBC. Read David's columns for The Stage every Wednesday.

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Filmed work was crucial in lockdown but theatre’s essence is lost on screens

What’s the secret to a great adaptation? Focus on form as well as content

From The Sound of Music to Glee, the path to Schmigadoon! is paved with box-office gold

Opinion

Latest
Most Read

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Let’s re-enter the industry with fresh eyes and be ready for a challenge

People are more important than art. Theatre must do more to protect them

Rules have been relaxed but the crisis for theatre still has a long way to go

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Exquisite Drury Lane revamp is a gift to future generations

Stitched up: Commercial producers need to work with designers to avoid a costume crash

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Most Commented

Immersive Great Gatsby announces London return this autumn

Immersive Great Gatsby announces London return this autumn

London’s "longest-running immersive production" The Great Gatsby has announced it is to return this autumn

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Immersive Great Gatsby announces London return this autumn

Immersive Great Gatsby announces London return this autumn

London’s "longest-running immersive production" The Great Gatsby has announced it is to return this autumn

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London £27,000 per annum

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London £45k pro rata (min....

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Castings

MIKE in EWAN MACCOLL: MANCHE...

Dundee Paid

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Dundee Paid

Female souls singer dancer e...

Based in Ilkeston Derbyshire DE7 Paid

Male soul singer entertainer...

Based in Ilkeston Derbyshire DE7 touring UK Paid

The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

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Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

Exeter and Touring Paid

Lighting Technician in Frien...

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Equity: Employers should not require workers to be double-jabbed

Equity: Employers should not require workers to be double-jabbed

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Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Features by Chris Bartlett

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

News by Matthew Hemley

Women want to express their trauma in their art – we're writing the changes we want to see

Women want to express their trauma in their art – we're writing the changes we want to see

Opinion by Alex Critoph

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Recommended for you

Equity: Employers should not require workers to be double-jabbed

Equity: Employers should not require workers to be double-jabbed

News by Giverny Masso

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Features by Chris Bartlett

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

Relaxing of tourist quarantine rules hailed as ‘next step’ in theatre’s recovery

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Women want to express their trauma in their art – we're writing the changes we want to see

Women want to express their trauma in their art – we're writing the changes we want to see

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Most Read

Across The Stage this week

Actors fear losing work over lockdown weight-change as complaints to Equity surge

Chichester Festival Theatre postpones world premiere to allow for more development

Exclusive: Rebecca Kane Burton leaves LW Theatres after five years

Lucy St Louis, Phantom's new star – ‘My position in this show has blown the door off its hinges’

Delfont Mackintosh Theatres introduces Covid certification scheme

Prince of Egypt forced to cancel 11 further days of performances

Immersive Great Gatsby announces London return this autumn

Hamlet starring Ian McKellen – review round-up

People are more important than art. Theatre must do more to protect them

Mark Rylance and Mackenzie Crook reunite for Jerusalem run

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