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David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of V...

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Annilese Miskimmon is a good choice to produce ‘bankers’ at ENO

Arts jobs are viable – it’s the government that’s not

As theatres return, let’s see new and under-produced works on stage

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Adam Kay: This Is Going to Hurt

Adam Kay: This Is Going to Hurt

Long Reviews by Dave FargnoliApollo Theatre, London

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Features by Fergus Morgan

The West End returns: how Nimax is making its theatres Covid-19 secure

The West End returns: how Nimax is making its theatres Covid-19 secure

News by Georgia Snow

Everybody's Talking About Jamie announces West End reopening date

Everybody's Talking About Jamie announces West End reopening date

Production News by Georgia Snow

Opinion

Latest
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Streaming dispute leaves US union members caught in the middle

These might be the last award ceremonies for a while – may they bring hope for theatre

Theatres must get used to social distancing – it’s what audiences want

Did ACE have the expertise to decide who received emergency funds?

Les Misérables lyricist Herbert Kretzmer's words will never die

TV and film depend on theatre’s writers – and this talent needs support

We can learn from South Korea, where theatre has stayed open for business

The Stage’s message to government: act now to save theatre

Full house: What will auditoriums look like when theatres reopen?

The UK theatre sector must face the future together

Editor’s View: The big question is not when theatres will reopen, it's how

Rural touring could offer the quickest route out of lockdown

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Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Features by Fergus Morgan

The West End returns: how Nimax is making its theatres Covid-19 secure

The West End returns: how Nimax is making its theatres Covid-19 secure

News by Georgia Snow

Everybody's Talking About Jamie announces West End reopening date

Everybody's Talking About Jamie announces West End reopening date

Production News by Georgia Snow

Chancellor facing renewed calls to support arts workers missing out on funding

Chancellor facing renewed calls to support arts workers missing out on funding

News by Matthew Hemley

David Benedict

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of Variety (2006-2014). He is currently writing the authorised biography of Stephen Sondheim and is a regular guest on the BBC. Read David's columns for The Stage every Wednesday.

More from this author

Les Misérables lyricist Herbert Kretzmer's words will never die

For those starved of first-rate, one-off dramas, look to BBC’s Play for Today

Arts jobs are viable – it’s the government that’s not

Opinion

Latest
Most Read

Streaming dispute leaves US union members caught in the middle

These might be the last award ceremonies for a while – may they bring hope for theatre

Theatres must get used to social distancing – it’s what audiences want

Did ACE have the expertise to decide who received emergency funds?

Les Misérables lyricist Herbert Kretzmer's words will never die

TV and film depend on theatre’s writers – and this talent needs support

Theatres must get used to social distancing – it’s what audiences want

These might be the last award ceremonies for a while – may they bring hope for theatre

Did ACE have the expertise to decide who received emergency funds?

TV and film depend on theatre’s writers – and this talent needs support

Les Misérables lyricist Herbert Kretzmer's words will never die

Small-scale is great, but big shows are key to making theatre accessible

Advice

Lauren Byrne: 'Don’t let competitiveness come between you and friends'

Lauren Byrne: 'Don’t let competitiveness come between you and friends'

Alex James-Hatton: 'Be nice, work hard, ask questions and try to have fun'

Alex James-Hatton: 'Be nice, work hard, ask questions and try to have fun'

Lauren Douglin: 'Feel the fear and do it anyway'

Lauren Douglin: 'Feel the fear and do it anyway'

Scott Brown: 'Ensuring students get the best experience means a lot to me'

Scott Brown: 'Ensuring students get the best experience means a lot to me'

Most Commented

£500,000 lifeline for Edinburgh's Capital Theatres

£500,000 lifeline for Edinburgh's Capital Theatres

Capital Theatres in Edinburgh has been thrown a £500,000 lifeline from the Scottish government

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Full list of performing arts organisations given £1m+ recovery grants

Full list of performing arts organisations given £1m+ recovery grants

Twenty-eight performing arts organisations have been awarded a share of £75 million in the latest round of Culture Recovery Grants

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London £24,610 - £33,830 p...

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London £29,321 - £32,371 G...

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Chessington, Surrey £9.10

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Chessington, Surrey £9.10 - £13

Christmas Performer – Father...

Chessington, Surrey £9.10 - £13

Performing Arts Assistant

London £24k-28k.

Principal Learning Officer -...

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Castings

Christmas Award in Big Top A...

Homeworking Paid

Mistletoe and Wine in Big To...

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Last Christmas in Big Top Au...

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Blizen's Burlesque in Big To...

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Elf and Safety in Big Top Au...

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Homeworking Paid

More on this topic

Adam Kay: This Is Going to Hurt

“West End's first recovery signs”

Adam Kay: This Is Going to Hurt

Long Reviews by Dave FargnoliApollo Theatre, London

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Features by Fergus Morgan

The West End returns: how Nimax is making its theatres Covid-19 secure

The West End returns: how Nimax is making its theatres Covid-19 secure

News by Georgia Snow

Everybody's Talking About Jamie announces West End reopening date

Everybody's Talking About Jamie announces West End reopening date

Production News by Georgia Snow

Advice

Lauren Byrne: 'Don’t let competitiveness come between you and friends'

Lauren Byrne: 'Don’t let competitiveness come between you and friends'

Alex James-Hatton: 'Be nice, work hard, ask questions and try to have fun'

Alex James-Hatton: 'Be nice, work hard, ask questions and try to have fun'

Lauren Douglin: 'Feel the fear and do it anyway'

Lauren Douglin: 'Feel the fear and do it anyway'

Scott Brown: 'Ensuring students get the best experience means a lot to me'

Scott Brown: 'Ensuring students get the best experience means a lot to me'

Recommended for you

Adam Kay: This Is Going to Hurt

“West End's first recovery signs”

Adam Kay: This Is Going to Hurt

Long Reviews by Dave FargnoliApollo Theatre, London

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Culture in lockdown: Marisha Wallace – 'I’ve played every kind of house. Now I want Beyoncé-level success'

Features by Fergus Morgan

The West End returns: how Nimax is making its theatres Covid-19 secure

The West End returns: how Nimax is making its theatres Covid-19 secure

News by Georgia Snow

Everybody's Talking About Jamie announces West End reopening date

Everybody's Talking About Jamie announces West End reopening date

Production News by Georgia Snow

Most Read

Across The Stage this week

Keeping theatres open not a priority for public, poll suggests

Nica Burns reopens first West End theatre as she declares venues are 'safe'

Full list of theatres receiving Culture Recovery Fund grants in round two

Olivier Awards 2020 reveals performers and broadcast details

SOLT and UK Theatre issue guidance for venues in Tiers 2 and 3

Full list of performing arts organisations given £1m+ recovery grants

Open Door puts audition scheme on hold following drama school racism allegations

Producer Kenny Wax questions Culture Recovery Fund decisions

Ian Rickson

Theatres must get used to social distancing – it’s what audiences want

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