The Stage

Publisher Nick Hern: New writing is in danger

Wessex Grove boss: Co-productions are on the rise – and they are exciting

Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

National touring must not be an afterthought

Why the theatre CEO role is bigger than ever before

Northern Ireland arts funding is in crisis. It’s time to speak up

Would it be a crime to kill a sacred cow to free up a West End theatre?

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

A Reform UK toolkit? This one missed the mark

It’s action that matters for theatre freelancers and we’re starting to see some

When it comes to Shakespeare, it’s quality not quantity that really matters

Whisper it: did Timothée Chalamet have a point about ballet and opera?

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A farewell, and what I believe The Stage is for

Publisher Nick Hern: New writing is in danger

Wessex Grove boss: Co-productions are on the rise – and they are exciting

Hope Mill bosses: Fringe theatres are facing challenges and need support

Daniel Evans

Co-Artistic Director

Daniel Evans is artistic director of Chichester Festival Theatre

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Opinion

Latest
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Dear people in power: a letter on why the arts are an essential public infrastructure

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

National touring must not be an afterthought

Why the theatre CEO role is bigger than ever before

Northern Ireland arts funding is in crisis. It’s time to speak up

Would it be a crime to kill a sacred cow to free up a West End theatre?

When it comes to Shakespeare, it’s quality not quantity that really matters

What does Trafalgar Entertainment’s acquisition mean for the Bridge Theatre?

Dear people in power: a letter on why the arts are an essential public infrastructure

Why the theatre CEO role is bigger than ever before

It’s action that matters for theatre freelancers and we’re starting to see some

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Senior AV/Theatre Technician

Ruth Jones leads National Youth Theatre of Wales 50th anniversary celebrations

The National Youth Theatre of Wales is marking its 50th anniversary year with a new campaign launched by alumni Ruth Jones

Ruth Jones leads National Youth Theatre of Wales 50th anniversary celebrations

The National Youth Theatre of Wales is marking its 50th anniversary year with a new campaign launched by alumni Ruth Jones

Latest Issue

The Stage Magazine - July 2026

The Stage Interview Danielle de Niese - Her next act
The Long Read Inside the rise of country house opera
Tony Awards 2026 All the winners from Broadway's big night
My Favourite Play Sarah Connolly

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CHAT NOIR! review

Reviews by Oliver Jones9 Beaumont Avenue, London

A farewell, and what I believe The Stage is for

Publisher Nick Hern: New writing is in danger

Wessex Grove boss: Co-productions are on the rise – and they are exciting

Advice

Five factors causing visa issues for theatre shows touring to the US

by Amanda S Brill

Rayxia Ojo: ‘You never really know when you’ve left a lasting impression on someone’

Lucy Fennell: ‘It’s a lifelong quest to understand and stay in touch with who you are’

Haydn O’Reilly: ‘I hounded a theatre company relentlessly until I got an audition’

Recommended for you

“Mesmerising”

CHAT NOIR! review

Reviews by Oliver Jones9 Beaumont Avenue, London

A farewell, and what I believe The Stage is for

Publisher Nick Hern: New writing is in danger

Wessex Grove boss: Co-productions are on the rise – and they are exciting