Covid-19 has exposed flaws in ticketing practices – it’s time for a rethink

Now that we’re used to isolation, is space theatre’s final frontier?

Garfield Weston Foundation launches £25m Covid culture fund

This crisis is a chance to reset theatre subsidy and support artists directly

Now that we’re used to isolation, is space theatre’s final frontier?

Theatre became a wasteland in lockdown – now I'm making the most of every opportunity

Operation Moonshot raises further questions for theatre reopenings

Post-Covid, resilient critics can prove their worth in the theatre ecology

Bennett's dramas prove the exceptions that suit both stage and screen

We can learn from South Korea, where theatre has stayed open for business

The Stage’s message to government: act now to save theatre

Full house: What will auditoriums look like when theatres reopen?

The UK theatre sector must face the future together

Editor’s View: The big question is not when theatres will reopen, it's how

Rural touring could offer the quickest route out of lockdown

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This crisis is a chance to reset theatre subsidy and support artists directly

Now that we’re used to isolation, is space theatre’s final frontier?

Garfield Weston Foundation launches £25m Covid culture fund

Features by Tristram Kenton

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Opinion

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This crisis is a chance to reset theatre subsidy and support artists directly

Now that we’re used to isolation, is space theatre’s final frontier?

Theatre became a wasteland in lockdown – now I'm making the most of every opportunity

Operation Moonshot raises further questions for theatre reopenings

Post-Covid, resilient critics can prove their worth in the theatre ecology

Bennett's dramas prove the exceptions that suit both stage and screen

Theatre became a wasteland in lockdown – now I'm making the most of every opportunity

Theatre needs to rock the boat and hold the government to account

Operation Moonshot raises further questions for theatre reopenings

The West End is inching back to life – but it still needs government support

This crisis is a chance to reset theatre subsidy and support artists directly

Post-Covid, resilient critics can prove their worth in the theatre ecology

Advice

Julia Farino: 'I decided to share my experiences to help other actors navigate the industry'

Andrew Linnie: 'Going straight from drama school into a West End show was intimidating'

David James: 'Government and critics need to respect musical theatre as a serious art form'

Pamela Mayoss: 'I can't believe how nervous I was over such a small part'

Front of House Performance S...

Squad Goals

Creatives including Shelley Maxwell set up production company

Creatives including movement director Shelley Maxwell and composer Clement Ishmael have set up a new production company

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La Bohème

Long Reviews by George HallAlexandra Palace, London

This crisis is a chance to reset theatre subsidy and support artists directly

Now that we’re used to isolation, is space theatre’s final frontier?

Garfield Weston Foundation launches £25m Covid culture fund

Advice

Julia Farino: 'I decided to share my experiences to help other actors navigate the industry'

Andrew Linnie: 'Going straight from drama school into a West End show was intimidating'

David James: 'Government and critics need to respect musical theatre as a serious art form'

Pamela Mayoss: 'I can't believe how nervous I was over such a small part'

“Exuberant drive-in staging”

Recommended for you

La Bohème

Long Reviews by George HallAlexandra Palace, London

This crisis is a chance to reset theatre subsidy and support artists directly

Now that we’re used to isolation, is space theatre’s final frontier?

Garfield Weston Foundation launches £25m Covid culture fund