Charlotte Keatley: My play in BSL showed me D/deaf artists can tackle any work

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

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Charlotte Keatley

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Charlotte Keatley: My play in BSL showed me D/deaf artists can tackle any work

Opinion

Latest
Most Read

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Look closely across Scotland and you’ll find artists revolutionising theatre

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

People are more important than art. Theatre must do more to protect them

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Women want to express their trauma in their art – we're writing the changes we want to see

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

Post-pandemic, theatres must stop penalising single-ticket buyers

Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Customer Experience Team Mem...

Come from Away film to be broadcast in September

A filmed version of musical Come from Away will be broadcast on Apple TV+ in September

Come from Away film to be broadcast in September

A filmed version of musical Come from Away will be broadcast on Apple TV+ in September

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Theatregoers happy to return – your views, August 4

Your viewsby The Stage

Vaudeville Theatre's access issues continue to be unresolved – your views, July 21

Your viewsby The Stage

Autistic artists working guide created to address under-representation

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

Long Reviews by Sam Marlowe

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Advice

Scenic art lecturer Gary Fry: 'Trust in your judgement and don’t stop learning'

Actor Alan Berkley: 'I got my first role on TV over some steak pie and veg'

What are the options for drama training in Scotland?

by Thom Dibdin

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

Recommended for you

Theatregoers happy to return – your views, August 4

Your viewsby The Stage

Vaudeville Theatre's access issues continue to be unresolved – your views, July 21

Your viewsby The Stage

Autistic artists working guide created to address under-representation

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?