It’s time to champion disabled theatre talent with an inclusive recovery
Signs of progress, clockwise from top left: Charlotte Arrowsmith in the RSC's The Taming of the Shrew; Francesca Martinez's All of Us; Rufus Norris with the NT’s smart caption glasses; Karina Jones, who stepped in to play Jaques in the RSC’s As You Like It
As he leaves the role of government disability champion, Andrew Miller looks back on progress achieved in the past three years and explains why promoting disabled artists and theatre workers remains crucial as the sector rebuilds
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