Amateur theatre is a lifeline for many, and it too has been dealt a terrible blow

The Mousetrap delays West End reopening

'Pent-up demand' for theatre but audiences still cautious, survey shows

Royal Albert Hall announces festive season to protect jobs

How action hero Jack Reacher was inspired by The Tempest

Empty seats symbolise lost audiences, but also talent leaving theatre forever

As Derby Theatre reopens its doors, community will be at the heart of our work

Improved working conditions would be something to celebrate, not Brexit

Arts educators are embracing technology, but nothing beats in-person contact

Theatre won’t be fixed by cutting costs around the people who make it

We can learn from South Korea, where theatre has stayed open for business

The Stage’s message to government: act now to save theatre

Full house: What will auditoriums look like when theatres reopen?

The UK theatre sector must face the future together

Editor’s View: The big question is not when theatres will reopen, it's how

Rural touring could offer the quickest route out of lockdown

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Maddy Anholt: 'It’s taken me 10 years to trust my voice'

The Mousetrap delays West End reopening

'Pent-up demand' for theatre but audiences still cautious, survey shows

Royal Albert Hall announces festive season to protect jobs

Beth Easton

Beth Easton is a Liverpool-based lecturer and writer with a passion for theatre

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Amateur theatre is a lifeline for many, and it too has been dealt a terrible blow

Opinion

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How action hero Jack Reacher was inspired by The Tempest

Empty seats symbolise lost audiences, but also talent leaving theatre forever

As Derby Theatre reopens its doors, community will be at the heart of our work

Improved working conditions would be something to celebrate, not Brexit

Arts educators are embracing technology, but nothing beats in-person contact

Theatre won’t be fixed by cutting costs around the people who make it

Empty seats symbolise lost audiences, but also talent leaving theatre forever

Performers shouldn't have to push through pain, theatre must break the injury cycle

Unlike for the Debut Awards nominees, first roles aren’t always auspicious

Theatre risks losing a generation of writers – we had to try something new

Producers are taking risks to secure the future of commercial theatre

Theatre won’t be fixed by cutting costs around the people who make it

Advice

Maddy Anholt: 'It’s taken me 10 years to trust my voice'

Anna Shields: 'Singing can transform people’s lives'

Maisey Bawden: ‘TV work was a shock to the system but I loved the buzz’

Kate Mara: ‘Lifelong learning is essential to evolve throughout your career’

Audiences & Communications M...

Maddy Anholt: 'It’s taken me 10 years to trust my voice'

Comedian and performer Maddy Anholt tells John Byrne about her first job – a one-woman show she wrote in her third year at drama school

The Mousetrap delays West End reopening

Jobs

Cardiff £35 - £37K

Technical Coordinator

London £30,080 - £33,830 p...

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Aruba Dutch Caribbean

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Hampshire,

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London £12,000 Band 3 (Art...

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London £21,450 (Equivalent...

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London £65- £80 per day, £...

Teacher of Drama - Preparato...

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Front of House Performance S...

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Head of Monster Club / Manag...

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Festival Square Manager

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Wigmaker (Experienced)

Bristol

Santa Claus / Father Christmas

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Father Christmas

Ascot £16 per hour (PAYE ...

Principle and Ensemble Perfo...

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Santa in Eskimo Jo Events

Castings

Oxford Paid

PERFORMER in TRIPTYCH - HOLL...

TBC Paid

Trans or queer dancers, perf...

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Striking and beautiful women...

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Kissing couple in Talent for...

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Mother and new born baby in ...

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Zara in Host

The show is online so actors will be performing fro... Paid

Julia in Host

The show is online so actors will be performing fro... Paid

Graham in Host

The show is online so actors will be performing fro... Paid

Cary Grant in "Autopsy," Gra...

London Paid

Young Grace Kelly in "Autops...

London Paid

Princess Stephanie (Grimaldi...

London Paid

Grace Kelly in "Autopsy," Gr...

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Male Vocalist 2 in Hong Kong...

Hong Kong Paid

Princess Stephanie (Grimaldi...

London Paid

Maddy Anholt: 'It’s taken me 10 years to trust my voice'

The Mousetrap delays West End reopening

'Pent-up demand' for theatre but audiences still cautious, survey shows

Royal Albert Hall announces festive season to protect jobs

Advice

Maddy Anholt: 'It’s taken me 10 years to trust my voice'

Anna Shields: 'Singing can transform people’s lives'

Maisey Bawden: ‘TV work was a shock to the system but I loved the buzz’

Kate Mara: ‘Lifelong learning is essential to evolve throughout your career’

Recommended for you

Maddy Anholt: 'It’s taken me 10 years to trust my voice'

The Mousetrap delays West End reopening

'Pent-up demand' for theatre but audiences still cautious, survey shows

Royal Albert Hall announces festive season to protect jobs