David Benedict: A sad tale’s best for winter? Not in 2021

News

Reviews

More

Opinion & Advice

David Benedict

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of V...

More from this Author

A new take on The Turn of the Screw shows the potential of mixing forms

A sad tale’s best for winter? Not in 2021

Annilese Miskimmon is a good choice to produce ‘bankers’ at ENO

West End actor Natasha Mould’s new musical of pandemic stories to tour in May

Production News by Giverny Masso

WarnerMedia gives £250,000 to Theatre Artists Fund

News by Georgia Snow

Iris Theatre reveals line-up for Covent Garden summer festival

Production News by Giverny Masso

Kerry Ellis’ culture in lockdown: ‘I’m really into Line of Duty – but no spoilers please’

Features by Fergus Morgan

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

In the best retellings of Cinderella, the element of surprise stands out

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick

It’s high time we flipped the board on those with a monopoly on the industry

Recommended for you

West End actor Natasha Mould’s new musical of pandemic stories to tour in May

Production News by Giverny Masso

WarnerMedia gives £250,000 to Theatre Artists Fund

News by Georgia Snow

Iris Theatre reveals line-up for Covent Garden summer festival

Production News by Giverny Masso

Kerry Ellis’ culture in lockdown: ‘I’m really into Line of Duty – but no spoilers please’

Features by Fergus Morgan

David Benedict has been a daily columnist and theatre editor on the Independent, arts editor of the Observer and chief London critic of Variety (2006-2014). He is currently writing the authorised biography of Stephen Sondheim and is a regular guest on the BBC. Read David's columns for The Stage every Wednesday.

More from this author

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

In the best retellings of Cinderella, the element of surprise stands out

Why do so many newspaper columnists love to hate theatre?

Opinion

Latest
Most Read

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

Data can help theatre tackle inequality, but beware over-optimistic claims

As theatre returns to normal(ish), freelancers deserve better working conditions

Global-majority artists are still hitting the wall – we need to grow our careers

It’s time to champion disabled theatre talent with an inclusive recovery

Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

by John Byrne

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

by John Byrne

Actor Oliver Dimsdale: ‘I loved every second of my first job’

by John Byrne

Helen McCrory

A remarkably versatile and charismatic actor and one of the great leading ladies of her generation. On stage, she performed with the National Theatre and Royal Shakespeare Company, at the Almeida and Donmar Warehouse, and in the West End. She was twice nominated for Olivier awards, winning a Critics’ Circle award for Medea at the NT in 2014.

Helen McCrory dies aged 52

McCrory was best known for screen roles in the TV series Peaky Blinders and the Harry Potter films, and on stage in productions at the National Theatre and the Almeida

Jobs

Digital Production Manager.

Belfast £27,000 - £29,000 (...

A sad tale’s best for winter? Not in 2021

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access