Get our free email newsletter with just one click

Natasha Tripney’s theatre picks: August 11

Molly Vevers in Ross and Rachel at Edinburgh Festival Fringe. Photo: Alex Brenner Molly Vevers in Ross and Rachel at Edinburgh Festival Fringe. Photo: Alex Brenner
by -

We’ve hit the second week of the Fringe and the bubble is firmly in place so this is, by necessity, an all-Edinburgh collection of picks. I’ve seen some strong work so far and heard some intriguing whispers. I’ve still yet to fully explore Summerhall, which always conceals a few surprises and hidden things, but that’s the work of the coming week.

Ross and Rachel – Assembly George Square, Edinburgh

This was one of my picks last week but James Fritz’s Ross and Rachel is one of the strongest shows I’ve seen so far and features a fantastically rich and controlled performance from Molly Vevers, the first winner of this year’s Stage Awards for Acting Excellence.

Where Do Little Birds Go? – Underbelly, Edinburgh

This harrowing but gripping piece of new writing by Camilla Whitehill, set in gangland London of the 1960s, tells an appalling story but tells it with surprisingly sensitivity. Where Do Little Birds Go? features a superb performance from Jessica Butcher.

Simon McBurney in Complicite's The Encounter. Photo: Gianmarco Bresadola
Simon McBurney in Complicite’s The Encounter. Photo: Gianmarco Bresadola

The Encounter – Edinburgh International Conference Centre

By all accounts the world premiere of The Encounter, Complicite’s new show at the EIF, is a remarkable piece of theare-making. People who’ve seen it keep using the word ‘extraordinary.’ You can catch it in Edinburgh until August 23 and it’s at the Barbican next February too.

Walking the Tightrope – Underbelly, Edinburgh

This collection of short plays by writers including Neil LaBute, Caryl Churchill, and Timberlake Wertenbaker, are being presented in tandem with a timely series of post-show audience discussions exploring freedom of expression in the UK.

Jamie Wood's O No! at Edinburgh Festival Fringe
Jamie Wood’s O No! at Edinburgh Festival Fringe

O No! – Assembly Roxy, Edinburgh

There’s some great word of mouth building for Jamie Wood’s new show, O No!. Wood was the man behind 2013’s Beating McEnroe. Stewart Pringle is certainly smitten with this “cheeky, irreverent love letter” to Yoko Ono, a reworking of some of her most famous performance art pieces.

Manwatching – Roundabout, Edinburgh

Presented by the Royal Court as part of the Earlier/Later series of early morning and late night one-off shows, programmed by Paines Plough in their Roundabout space, this is a play about female masturbation by an anonymous female playwright, performed each time by a different male performer. It’s only playing five dates but it’s already got people talking – you can catch it on August 14 and 15.

How To Keep an Alien – Traverse Theatre, Edinburgh

If you’re feeling a bit wrung out emotionally by the Fringe then Sonya Kelly’s uplifting love story about her battle with Ireland’s immigration system so her Australian partner can stay in the country should make an excellent antidote. It’s genial, big-spirited and full of charm.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.