Get our free email newsletter with just one click

8 ways to make a better showreel

Photo: Fer Gregory/Shutterstock
by -

Putting together a showreel is a must for any actor, but doing it quickly and making it successful can be easier said than done. Here, agent Stuart Piper gives his tips on creating your first showreel.

Student and short film appearances

At the start of his or her career, an actor may look for student and/or short films that will provide them with footage to make up a reel, but it’s amazing how many student or low budget films don’t then easily release footage – my advice would be to always specify you will receive your own copy of the film in your contract or agreement before the job starts.

Get to a scene

Often at this early stage of a career it can be a struggle to pull together enough material to make up a full length reel. This usually leads to an overly elongated opening montage. It’s almost always the wrong way to go. A brief montage can be a nice introduction, but try to get to a full scene as quickly as possible.

Less is more

Casting directors and agents are busy people, and with showreels less is often more. We want to get to the meat as quickly as possible, and simply need as little as a scene or two to well represent you on screen.

Don’t clutter your showreel

If there’s a lot of material to reduce down, fantastic. But if there’s not, it’s better to have one well acted scene than a montage followed by an advert, followed by the scene, followed by a specially shot ending.

Custom or self-shot footage

Sometimes actors film their own scenes especially for showreel. These are almost always unsuccessful. The casting director spots them a mile off: the central actor has disproportionate coverage in a scene, a close-up lingers longer than would be normal on a television drama, an all-too-perfect cross section of contrasting genres and styles is presented (period scene, police interview and kitchen sink drama, say), the script is poor, other actors and below average and the photography is amateurish.

How to do your own footage effectively

The self-shot footage is of course a solution to the chicken and egg problem of being asked for a showreel before your first job. Luckily, there are professionals on hand to help you produce something that has a professional sheen to it. I’ve recently been impressed by the bespoke showreels of Leon Lopez’s BrownBoy Productions.

Learn to edit your showreel judiciously

Actors further on in their careers can have the opposite problem: how to fit all the footage in. A showreel should not really be longer than five to seven minutes, and for your seasoned professional this can be a challenge. One of our favourite showreel editors, Charlie Lort-Phillips, has all sorts of clever tricks to maximise how much you can fit into the running time, expertly chopping out dead moments and superfluous seconds. Sometimes if an actor with a series regular role is compiling a showreel it can be a nice idea to condense the storyline arch into a single reel.

Know where to host your showreel

You no longer need to spend a fortune on physical discs to store and distribute your showreel. All you need now is YouTube. Right? In fact, owing to sophisticated copyright scanning, YouTube often removes showreels automatically. Consider using Vimeo as an alternative.

Read more columns from Stuart Piper

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.