dfp_header_hidden_string

Get our free email newsletter with just one click

Barrel Organ, Burnt Lemon and Poltergeist win Edinburgh Untapped Award 2019

Poltergeists Art Heist is one of the recipients of the 2019 Untapped Award
by -

Theatre companies Barrel Organ, Burnt Lemon and Poltergeist have won this year’s Untapped Award, for which they win a full Edinburgh Fringe run.

The award, given by the New Diorama Theatre and Underbelly, supports early and mid-career theatre companies to take shows to the annual festival.

Barrel Organ will present Conspiracy, a new show inspired by the lives of conspiracy theorists at this year’s fringe. It runs alongside Tokyo Rose, a new production by Burnt Lemon, based on the life of Iva Toguri D’Aquino, who was falsely jailed as a war propagandist after the Second World War.

Poltergeist, which was shortlisted for last year’s Untapped award will stage Art Heist, a satirical depiction of a gallery theft.

The three shows were chosen from a 13-strong shortlist, and more than 198 applications.

They will each be given a space at Underbelly and an “enhanced split of ticket proceeds”, as well as a grant of £3,000 towards the cost of producing their show. The companies will also receive in-kind mentorship, marketing and PR support and a showcase at London’s New Diorama after the fringe.

It is the second year the New Diorama and Underbelly have jointly presented the award, which last year was awarded to Breach Theatre’s It’s True, It’s True, It’s True, Nouveau Riche’s Queens of Sheba and Dressed by ThisEgg.

New Diorama artistic director David Byrne said: “It’s getting harder every year for theatre companies and ensemble-led work to showcase at the Edinburgh Festival Fringe. Thanks to the incredible applications we received, New Diorama’s partnership with Underbelly, supported by the brilliant Arts Council England, will, yet again, be some of the best work presented at the festival. I can’t wait to start sharing these brilliant shows with audiences.”

New Diorama artistic director David Byrne: ‘If we don’t take risks, there’s no point in us existing’

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

loading...
^