Gainsborough theatre paintings to be displayed in new exhibition
Paintings exploring 18th-century artist Thomas Gainsborough’s relationship with the theatre are to go on display in a dedicated exhibition at the Holburne Museum in Bath.
It will bring together Gainsborough’s portraits of actors, playwrights, musicians and dancers, as well as managers and critics from mid to late-18th century.
These include a 1770 portrait of the actor David Garrick, a portrait of the Haymarket Theatre’s manager George Colman from 1778 and a 1777 painting of the French ballet dancer Auguste Vestris.
The exhibition also includes Gainsborough’s portrait of the performer Sarah Siddons, painted in 1785, which is widely considered to be his masterpiece and usually hangs in the National Gallery in London.
The Holburne said that during the time Gainsborough would have been working on these paintings theatre was becoming an increasingly popular pastime.
The number of playhouses and their capacities were also growing, particularly in cities such as Bath.
The exhibition, Gainsborough and the Theatre, will explore ideas of celebrity, naturalism, performance and friendship in 18th-century Britain, and will include oil paintings, works on paper – including satires, playbills and theatre drawings – as well as other related items from private collections across the UK.
Part of the exhibition is dedicated to the locations and theatres with which Gainsborough was linked, including the Orchard Street Theatre in Bath and Theatre Royal Drury Lane.
Amina Wright, the Holburne’s senior curator, said: “Gainsborough and the Theatre presents some of the artist’s most intimate and immediate portraits of many of his creative friends and celebrity colleagues, as well as taking us behind the scenes to explore the growth of the theatre and portrait business in Bath and the West End.”
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.