Sonia Friedman bags producer of the year hat-trick at The Stage Awards
Sonia Friedman has been named producer of the year at The Stage Awards in association with Insurance Brokers Ltd, marking the third time in a row she has received the honour.
Awards were also presented to Sheffield Theatres, which was named regional theatre of the year for the third time, Matthew Bourne – who was honoured for his international work – and the New Diorama Theatre in London, which was named fringe theatre of the year.
Sonia Friedman Productions saw off competition from Fiery Angel and Kenny Wax Productions to win in the producer of the year category, with Sheffield Theatres winning the regional theatre gong above the Mercury Theatre in Colchester and the Bristol Old Vic.
Friedman accepted her award on the same day she was presented with her OBE, and used her speech to urge the sector to harness the power of the arts.
“Right now, theatre, artists, creators and facilitators, this is our moment to try and make a difference. I think we can all agree the world is in crisis and it’s our job right now to show the world how we can make a difference, and how we can push through and make change for the better. We are all in this together,” she said.
She added: “I feel a passionate responsibility to do the best work I can possibly do. I love what I do and everyone I work with with. I couldn’t do it, I don’t do it, without the artists and the creators. I am simply someone who has got the privilege and honour of working with them.”
The Regent’s Park Open Air Theatre was crowned London theatre of the year, over the Old Vic and the Menier Chocolate Factory, while the New Diorama won the fringe category beating the Hope Mill Theatre in Manchester and the Hope Theatre, in London.
The theatre building of the year prize went to the King’s Cross Theatre, while a new category for this year – the sustainability award – was presented to Tara Theatre in London, the new home for Tara Arts, which opened last year.
Bourne won the international award for his work in Asia, and a new innovation prize was scooped by theatre company Complicite, for its work on The Encounter.
Accepting his award, Bourne thanked The Stage for the “recognition”.
“It’s been incredible to go to new places and to turn up in somewhere like Beijing to an audience that is enthusiastic, questioning and wants to understand the work. There is great enthusiasm for the work and we realised very quickly that we had so much in common – much more in common than the things that divide us, and that is the power of art,” he said.
The Stage print editor Alistair Smith said: “Congratulations to all our brilliant winners. The Stage Awards are the only awards that celebrate theatre of all scales, from all four corners of the UK and across the globe. Our winners range from Sonia Friedman – the West End’s leading producer – to the New Diorama, a fringe theatre that has made a name for itself by supporting and championing emerging talent at the very start of their careers.”
The awards were presented at a ceremony held at the Theatre Royal Drury Lane in London, which saw Ned Seago, who has worked at the Old Vic in London for 30 years, win the unsung hero award.
Seago said: “I am delighted to receive this but also bemused. I am sure there are others more worthy than I, but apparently general consensus says I am wrong. Thank you to all who put my name forward and to The Stage for bowing to the wisdom of their contributors.”
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.