Daniel Kramer appointed artistic director of English National Opera
Daniel Kramer has been announced as the new artistic director of English National Opera, which has described his appointment as a “turning point” for the company.
He replaces John Berry, who left the organisation last year, and has vowed to develop new audiences and work with emerging talent.
Kramer, who has been an associate at the Gate Theatre and the Young Vic in London, joins on August 1.
His relationship with the company goes back to 2008, when he was selected as part of ENO’s young director’s initiative. Through this, he directed Punch and Judy at the Young Vic, which went on to win the opera category at the South Bank Awards.
Kramer has directed plays including 2006’s Bent starring Alan Cumming, and Prick Up Your Ears at the Comedy Theatre, now Harold Pinter Theatre, in 2009.
He said: “The core of the ENO is its unique company spirit – its award-winning orchestra and chorus, and its incredible staff, stage and house crew. My intention is to champion this family and to inspire audiences night after night with a thrilling programme of musical diversity, attracting audiences from opera to operetta, through to popular music.”
He also vowed to work with emerging talent and to develop new audiences.
ENO chairman Harry Brunjes said the appointment marks a “turning point in the company’s history” as it moves towards a new approach to planning seasons and reaching new audiences.
Chief executive Cressida Pollock said she was looking forward to working with Kramer to “transform the organistion”.
His first season of work will be in 2018/19. The 2017/18 season will be programmed by the organisation’s senior artistic team, while the 2016/17 season will be announced next week.
Kramer’s appointment follows Mark Wigglesworth’s decision to leave as music director after less than a year in the post.
The company faced strike action this year, with chorus members threatening to walk out in a dispute over pay, which was later resolved by ENO and union Equity.
We need your help…
When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.
The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.
We are fully independent, but this means we rely on revenue from readers to survive.
Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.