dfp_header_hidden_string

Get our free email newsletter with just one click

Final winners announced in The Stage Awards for Acting Excellence 2015

Donal O'Kelly and Sorcha Fox from Little Thing, Big Thing. Photo: Alex Brenner Donal O'Kelly and Sorcha Fox from Little Thing, Big Thing. Photo: Alex Brenner
by -

Sophie Melville, Luke Wright, Donal O’Kelly and Sorcha Fox have collected the last remaining gongs in The Stage Awards for Acting Excellence at the Edinburgh Festival Fringe 2015.

Sophie Melville. Photo: Alex Brenner
Sophie Melville. Photo: Alex Brenner

Melville was presented with the award for her role as Effie in Iphigenia in Splott, Sherman Cymru’s much-lauded production at the Pleasance Dome.

In a five-star review for The Stage, lead critic Natasha Tripney described her performance as “extraordinary”. She praised Melville’s command of the material, “both in the way she negotiates the space and the way she addresses the audience; she is alternately hostile, and vulnerable, seductive, heart-breaking.”

Performance poet Wright was awarded for his monologue, What I Learned from Johnny Bevan, which ran at Summerhall.

The Stage’s lead critic Natasha Tripney said: “Wright has, hands-down, created one of the most powerful solo shows this year with his poetic monologue, What I Learned From Johnny Bevan. This is not a recital, it’s a performance, one of nuance and precision and force, an example of someone at the top of their craft.”

Elsewhere, O’Kelly and Fox garnered an ensemble award for playing a large cast of characters in Little Thing, Big Thing at Assembly during the fringe. In his four-star review for The Stage, Gerald Berkowitz said: “One of the production’s pleasures is watching the confidence, authority and ease with which they smoothly navigate the instantaneous changes in roles.”

These are the final awards given this year. The full list of winners in The Stage Awards for Acting Excellence 2015 are as follows:

In addition the Special Award was presented to Pip Utton, whose Playing Maggie was on at the Assembly Rooms. To mark the occasion, he was interviewed about his work by The Stage.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

loading...
^