Through the lens: this week in years gone by

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Pantomime

Kelli O’Hara preparing for rehearsals of The King and I, which opened July 3, 2018 at London Palladium

National Theatre criticised by staff director for not paying streaming royalties

News by Giverny Masso

Theatre professionals exempt from quarantine rules in bid to restart sector

News by Georgia Snow

Sharon D Clarke, Olivia Colman and Bertie Carvel to star in Peter Pan retelling

Production News by Giverny Masso

Dance, drama and dames: shows from years gone by

Features by Tristram Kenton

Opinion

How Jefferson Mays’ A Christmas Carol is supporting closed US theatres

by Howard Sherman

Out of this crisis, fringe festivals will be vital for those entering the industry

by Richard Jordan

Staging work in between lockdowns was tough, but there were positives

by Jonathan O'Boyle

Will the National Theatre find streaming success? It must

by Alistair Smith

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National Theatre criticised by staff director for not paying streaming royalties

News by Giverny Masso

Theatre professionals exempt from quarantine rules in bid to restart sector

News by Georgia Snow

Sharon D Clarke, Olivia Colman and Bertie Carvel to star in Peter Pan retelling

Production News by Giverny Masso

Dance, drama and dames: shows from years gone by

Features by Tristram Kenton

The Pin: 'We’ve been lucky enough to be able to keep sticking at the game'

Dance, drama and dames: shows from years gone by

The Empty Space: What should have opened this week – Cinderella at York Theatre Royal

Culture in Lockdown: Clare Grogan – ‘I have a lot of nervous energy, yoga has helped me deal with that’

The Empty Space: What should have opened this week – Sherman Theatre’s A Christmas Carol

Leaps and bounds: exuberant shows from recent years

Festival of Brexit or Festival of Britain? The event dividing theatremakers

Shared risks and second-guessing: how producers are dealing with theatre's changing rules

Culture in Lockdown: Rebecca Frecknall – ‘David Byrne’s American Utopia has become my running soundtrack’

Sophie Melville: ‘I was scared theatre would be posh and I wouldn’t understand it’

Lambert Jackson: 'We were drawn to each other. Our partnership is built on friendship'

Insulted. Belarus(sia): The protest play laying bare the harsh realities of the Belarusian revolution

National Theatre criticised by staff director for not paying streaming royalties

In a letter to the NT, Tom David Hughes has expressed "disappointment and anger" that he has not been paid royalties for his contribution to 2015 show I Want My Hat Back, on which he was staff director

Theatre 2021: ‘Back soon... back better’

As theatres remain closed with little prospect of returning to business as usual, The Stage has asked changemakers across the industry how the sector can remake its future

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Through the lens: this week in years gone by

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