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Stef O’Driscoll, Debbie Hannan and Nessah Muthy

Theatre has made progress on race – critics need to catch up

Opinion by Alistair Smith

Race and theatre criticism | We need critical change

Features by The Stage

The Stage’s Future of Theatre conference offers free tickets for freelancers

News by Georgia Snow

Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change

Features by Emmanuel Kojo

Opinion

Theatre has made progress on race – critics need to catch up

by Alistair Smith

Theatre's return is an opportunity for joy, but also reflection

by Richard Jordan

Bond farewells: Screen trumps stage, even in death

by David Benedict

In 2021, theatre has a chance to cement the revolution begun in the 1960s

by Lyn Gardner

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Theatre has made progress on race – critics need to catch up

Opinion by Alistair Smith

Race and theatre criticism | We need critical change

Features by The Stage

The Stage’s Future of Theatre conference offers free tickets for freelancers

News by Georgia Snow

Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change

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Race and theatre criticism | Emmanuel Kojo: Why I’m no longer talking about colour in the arts without active change

Race and theatre criticism | Naomi Obeng: Actions speak louder – let’s dismantle the imbalance that serves no one

Race and theatre criticism | 'The history of UK theatre criticism is one of racism and prejudice'

Race and theatre criticism | On writing about race: Equity’s recommendations for theatre critics

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Liam Scarlett: ‘I am a bit of a control freak’

Katherine Parkinson’s culture picks in lockdown: ‘Normal People resonated with me, but I’ve never had that kind of sex’

Shooting stars: How the National Theatre’s Romeo and Juliet soared from stage to screen

Spooky! Theatre’s most famous ghosts captured in a haunting new book

Back to showbusiness as usual? How producers aim to transform theatre post-Covid

Musician Lebo M: ‘The Lion King is fun. I don’t feel like I’ve been doing it for 25 years’

RSC unveils details of outdoor theatre for reopening season

The Royal Shakespeare Company has unveiled further plans for a 500-seat outdoor theatre, in which it will restart live performances in July.

The Stage 100: Celebrating theatre’s exceptional figures in a year like no other

Instead of ranking theatre’s most influential people, this year’s edition of The Stage 100 recognises those who have gone above and beyond in the face of the Covid-19 pandemic

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The Stage 100: Celebrating theatre’s exceptional figures in a year like no other

Instead of ranking theatre’s most influential people, this year’s edition of The Stage 100 recognises those who have gone above and beyond in the face of the Covid-19 pandemic