dfp_header_hidden_string

Get our free email newsletter with just one click

Competition: Win tickets to see Seance at Vault Festival

by -

Seance: January 23 to March 13. 20 terrifying minutes.
★★★★ The Guardian ‘Creepy and manipulative.’

Darkfield creates intense individual experiences that take place in shipping containers. These explore fear and anxiety.

We will not prey upon the paranoid, the bereaved, the credulous, the wide-eyed, the weak or the inbred… in return we ask you proceed with an open mind. Seance is an entertainment only and we cannot hold the medium responsible for the outcome.

Seance explores the psychology of a group of people who have been bombarded with suggestible material. It is an intense sonic performance for twenty people at a time.

Running in London at Vault Festival for a limited time only. Book your tickets here www.darkfield.org

To win a pair of tickets to see Seance at Vault Festival, London, go to thestage.co.uk/competitions and enter your details and put SEANCE in the code box. Entries close at midnight on January 21.

Darkfield also present Flight at Vault Festival, Like Seance, Flight takes place in a shipping container in absolute darkness. The many worlds interpretation of Quantum Mechanics proposes that every time there is more than one possible outcome, all of them occur. Countless worlds of varying similarity where anything that can happen is already happening. Maybe there is some comfort in knowing that however ill advised your choices have been – there is a version of you who made better ones and is suffering from less regret and embarrassment.

Terms and conditions: Valid for any performances from January 23 to February 8. Subject to availability. Not to be used in conjunction with any other offer and no alternative offered. Travel not included. Non transferable. No cash alternative. By entering the competition you agree to your contact details being passed securely to a third party who will only use them for the purpose of this competition and to your name being published in The Stage newspaper.

We need your help…

When you subscribe to The Stage, you’re investing in our journalism. And our journalism is invested in supporting theatre and the performing arts.

The Stage is a family business, operated by the same family since we were founded in 1880. We do not receive government funding. We are not owned by a large corporation. Our editorial is not dictated by ticket sales.

We are fully independent, but this means we rely on revenue from readers to survive.

Help us continue to report on great work across the UK, champion new talent and keep up our investigative journalism that holds the powerful to account. Your subscription helps ensure our journalism can continue.

loading...
^