Light and shade: dazzling productions from previous years

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Sarah Tynan and Stephanie Marshall (centre) in English National Opera’s The Gondoliers, which opened at the London Coliseum on November 18, 2006. Photo: Tristram Kenton

London’s Finborough to reopen following refurbishment

News by Giverny Masso

Scottish theatres get the go-ahead at last, but it shows the patchiness of UK’s recovery

Opinion by Alistair Smith

Building Scottish theatre talent is a team game, and we should all play to win

Opinion by Nick Williams

Mark Ravenhill and Hannah Price appointed King's Head artistic directors

News by Georgia Snow

Opinion

Scottish theatres get the go-ahead at last, but it shows the patchiness of UK’s recovery

by Alistair Smith

Theatre is in danger of a mental health crisis – we must look after each other

by Richard Jordan

Building Scottish theatre talent is a team game, and we should all play to win

by Nick Williams

Let’s use this year’s hybrid Edinburgh Fringe as a dry run for a fairer ‘new normal’

by Thom Dibdin

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London’s Finborough to reopen following refurbishment

News by Giverny Masso

Scottish theatres get the go-ahead at last, but it shows the patchiness of UK’s recovery

Opinion by Alistair Smith

Building Scottish theatre talent is a team game, and we should all play to win

Opinion by Nick Williams

Mark Ravenhill and Hannah Price appointed King's Head artistic directors

News by Georgia Snow

Scottish theatre returns | From Glasgow and Edinburgh to the Highlands, how venues are reopening

Hybrid engine: How the Edinburgh Fringe hopes to roar back in 2021

Edinburgh Fringe 2021: The best in-person and online theatre shows to catch this year

Stage Directions: Domhnall Gleeson – 'I’m sure putting on a show makes you die early, but you feel alive'

How the resurgence of Gaelic theatre is celebrating Scotland’s founding language

Curtain Up: Tron Theatre – ‘The live experience is what we’re about, but online kept people in work’

Lucy St Louis, Phantom's new star – ‘My position in this show has blown the door off its hinges’

Two of a kind: how role-sharing at Chichester is shaking up the industry

The ‘English Elvis’: Tommy Steele’s 65 years in the spotlight

Stage Directions: James Purefoy – ‘I’ve missed moments in theatre when it feels like lightning is striking’

Come from Away star Alice Fearn: ‘The pain of not performing has proved to me how much I love what I do’

The Two Character Play: reviving the work Tennessee Williams considered his best since Streetcar

Scottish venues receive further £17m in Covid relief grants

Creative Scotland has announced the next tranche of its Covid-19 relief, with 331 cultural organisations including Edinburgh’s Capital Theatres and the Tivoli in Aberdeen sharing just under £17 million

Staged director Simon Evans: 'I gave Judi Dench a note and she took it – I can retire happy'

Serendipitously timed to coincide with England’s third national lockdown, Staged – the BBC’s award-winning Covid comedy starring Michael Sheen and David Tennant – is back on screens this month. Theatre director Simon Evans talks to Fergus Morgan about how he came up with the idea for the show and his special talent for directing famous faces

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Light and shade: dazzling productions from previous years

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