Kate Shindle: ‘Touring Fun Home in 2016 felt like a collision course with history’

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Kate Shindle

Out of this crisis, fringe festivals will be vital for those entering the industry

Opinion by Richard Jordan

Royal Shakespeare Company gets £7m endowment for education work

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Should I sell songs to make Christmas cash?

Careers Clinic by John Byrne

Amy Trigg and Ahlam win inaugural Women’s Prize for Playwriting

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Opinion

Out of this crisis, fringe festivals will be vital for those entering the industry

by Richard Jordan

Staging work in between lockdowns was tough, but there were positives

by Jonathan O'Boyle

Will the National Theatre find streaming success? It must

by Alistair Smith

Theatre must open the books to prove it’s an industrial success story

by David Benedict

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Glasgow £37,000 circa

Kate Shindle: ‘Touring Fun Home in 2016 felt like a collision course with history’

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