George Hall

22 ARTICLES 755 REVIEWS 0 Comments

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

Reviews

Dido and Aeneas / Jonas / I Will Not Speak review at Hackney Empire – ‘a worthwhile triple bill’

Oct 17, 2018

Reviews

Radamisto review at Hackney Empire, London – ‘vitality and visual magic’

Oct 8, 2018

Reviews

Gotterdammerung review at Royal Opera House – ‘unforgettable Wagner singing’

Oct 2, 2018

Reviews

Siegfried review at the Royal Opera House, London – ‘thrilling and tireless singing’

Oct 1, 2018

Reviews

Das Rheingold review at Royal Opera House, London – ‘savvy stagecraft’

Sep 25, 2018

Reviews

Tosca review at Grand Theatre, Leeds – ‘an unforgettable operatic experience’

Sep 24, 2018

Features

Royal Opera HouseFront-of-house spaces. Photo: James Bellorini

Exclusive: Royal Opera House chief Alex Beard on the venue’s £50m revamp

Sep 19, 2018

Reviews

Paul Bunyan review at Wilton’s Music Hall, London – ‘infallible stagecraft’

Sep 4, 2018

Reviews

Trial by Jury review at Alexandra Palace, London – ‘a joyous occasion’

Sep 3, 2018

Opinion

Stephen Langridge, who will replace Sebastian F Schwarz as Glyndebourne artistic director

George Hall: Glyndebourne’s new director will need to strike a balance between old and new

Aug 23, 2018

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Latest reviews

Pot review at Ovalhouse, London – ‘resonant writing’

Jericho’s Rose review at Hope Theatre, London – ‘a winning performance’

Sundowning review at Tristan Bates Theatre, London – ‘a poignant play about dementia’

Puzzle Creature review at the Place, London – ‘imaginatively designed’

Exodus review at Chapter Arts Centre, Cardiff – ‘heart-warming and lyrical’

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Stephen Langridge appointed artistic director of Glyndebourne

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