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George Hall

26 ARTICLES 769 REVIEWS 0 Comments

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

Reviews

Akhnaten review at London Coliseum – ‘a visually extraordinary staging’

Feb 12, 2019

Interviews

Opera conductor Carlo Rizzi. Photo: Tessa Traeger

Carlo Rizzi: ‘Conducting is not telling people what to do – you convince them’

Feb 5, 2019

Reviews

Katya Kabanova review at Royal Opera House, London – ‘a profoundly committed performance’

Feb 5, 2019

Reviews

Stephanie Corley and Katie Bray in Katya Kabanova at Leeds Grand Theatre. Photo: Jane Hobson

Katya Kabanova review at Leeds Grand Theatre – ‘passionate conducting’

Feb 4, 2019

Reviews

The Magic Flute review at Grand Theatre, Leeds – ‘an ambitious production’

Jan 21, 2019

Interviews

Ermonela Jaho. Photo: Fadil Berisha

Soprano Ermonela Jaho: ‘The first time I saw La Traviata, I thought I’d die if I never sang it’

Jan 15, 2019

Reviews

The Queen of Spades review at Royal Opera House, London – ‘a tedious evening’

Jan 14, 2019

Features

Scene from From he House of the Dead at Royal Opera House, London. Photo: Tristram Kenton

2018: Best opera of the year

Dec 21, 2018

Interviews

ROH’s Hansel and Gretel director and designer Antony McDonald: ‘Creative tension can be good’

Dec 14, 2018

Reviews

Hansel and Gretel review at Royal Opera House, London – ‘a magical staging’

Dec 14, 2018

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Latest reviews

Bodies review at Southwark Playhouse, London – ‘stiff, cerebral, dated’

Counting Sheep review at the Vaults, London – ‘propulsive and kinetic’

Gently Down the Stream review at Park Theatre, London – ‘a touching intergenerational romance’

All in a Row review at Southwark Playhouse, London – ‘a sensitive play marred by a wrong-headed decision’

Come From Away review at Phoenix Theatre, London – ‘moving, uplifting and life-affirming’

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