George Hall

12 ARTICLES 681 REVIEWS 0 Comments

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

Features

Nadja Michael in Salome at the Royal opera House in 2008. Photo: Robbie Jack

Opera: Passion Power and Politics – singing up a storm in the V&A’s huge new exhibition space

Sep 20, 2017

Reviews

The cast of the Grange Festival production of Mansfield Park. Photo: Robert Workman

Mansfield Park review at the Grange, Hampshire – ‘solidly sung’

Sep 18, 2017

Reviews

Mauro Peter in Die Zauberflote at Royal Opera House, London. Photo: Tristram Kenton

Die Zauberflote review at Royal Opera House, London – ‘extraordinary dramatic diversity’

Sep 13, 2017

Reviews

Michael Fabiano and Nicole Car in La Boheme at the Royal Opera House. Photo: Tristram Kenton

La Boheme review at Royal Opera House, London – ‘Richard Jones’ successful new staging’

Sep 11, 2017

Reviews

Alexandra Lowe in The Vanishing Bridegroom at the Peacock Theatre, London. Photo: Tristram Kenton

The Vanishing Bridegroom review at Peacock Theatre, London – ‘valiantly performed’

Sep 4, 2017

Reviews

Opera della Luna's The Queen's Lace Handkerchief at Wilton's Music Hall, London

The Queen’s Lace Handkerchief review at Wilton’s Music Hall, London – ‘theatrical brilliance’

Aug 30, 2017

Reviews

Even You, Lights, Cannot Hear Me/Nero Monologues review at Bridewell Theatre – ‘mixed-quality new works’

Aug 9, 2017

Reviews

Scene from Silver Birch at Garsington Opera. Photo: Tristram Kenton

Silver Birch review at Garsington Opera – ‘a remarkable event with vast community cast’

Jul 31, 2017

Reviews

Alice Coote and Anna Stephany in La Clemenza di Tito at Glyndebourne. Photo: Tristram Kenton

La Clemenza di Tito review at Glyndebourne, Lewes – ‘magnificently dramatic’

Jul 27, 2017

Reviews

Anne Sophie Duprels and Joel Montero in Zaza at Opera Holland Park, London. Photo: Tristram Kenton

Zaza review at Opera Holland Park – ‘a richly detailed production’

Jul 19, 2017

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Latest jobs

Latest reviews

Natasha Killam in The Test at White Bear Theatre, London

The Test review at the White Bear Theatre, London – ‘an undercooked thriller’

Kinny Gardner and Robert Softley Gale in Blanche and Butch at the Tron Theatre, Glasgow

Blanche and Butch review at Tron Theatre, Glasgow – ‘hilarious and heartbreaking’

Barrie Rutter in For Love or Money at the Viaduct Theatre, Halifax. Photo: Nobby Clark

For Love or Money review at Viaduct Theatre, Halifax – ‘ribald wordplay and mucky jokes’

Jpshua Silver and James Lance in Of Kith and Kin at Crucible Studio, Sheffield. Photo: Mark Douet

Of Kith and Kin review at Crucible Studio, Sheffield – ‘funny and biting’

We’re Still Here review at Byass Works, Port Talbot – ‘powerfully moving’

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