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George Hall

32 ARTICLES 799 REVIEWS 0 Comments

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

Reviews

Hansel und Gretel review at Grange Park opera, West Horsley – ‘musically strong, with some puzzling staging’

Jun 24, 2019

Reviews

Belshazzar review at the Grange Festival, Hampshire – ‘rarely comes to life’

Jun 21, 2019

Reviews

Bryn Terfel in Boris Godunov review at Royal Opera House, London – ‘extraordinary and thrilling’

Jun 20, 2019

Reviews

Hansel and Gretel review at Open Air Theatre, London – ‘an energetic, feel-good production’

Jun 18, 2019

Reviews

A Midsummer Night’s Dream review at Nevill Holt Opera – ‘an enchanting evening’

Jun 14, 2019

Reviews

Toby Girling, Wallis Giunta and Ellie Laugharne in Le nozze di Figaro at The Grange Festival 2019. Photo: Clive Barda

Le Nozze di Figaro review at Grange Festival – ‘a visually elegant and clearly directed production’

Jun 10, 2019

Reviews

Cendrillon review at Glyndebourne, Lewes – ‘a touch of pure magic’

Jun 10, 2019

Reviews

The Diary of One Who Disappeared review at Linbury Theatre, London – ‘frustratingly glacial’

Jun 6, 2019

Reviews

Don Giovanni review at Garsington Opera – ‘a vague staging of Mozart’s dark comedy’

May 31, 2019

Reviews

The Bartered Bride review at Garsington – ‘the opera festival at the top of its game’

May 30, 2019

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Latest reviews

Present Laughter review at Old Vic, London – ‘Andrew Scott is magnificent’

Anna Bolena review at Longborough Festival Opera – ‘a fine-looking production’

Carmen review at Royal Opera House, London – ‘disappointingly monochrome’

Cash Cow review at Hampstead Theatre, London – ‘fails to score points’

Radio review at Arcola Theatre, London – ‘a gripping performance by Adam Gillen’

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