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George Hall

33 ARTICLES 813 REVIEWS 0 Comments

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

Reviews

Jakub Jozef Orlinski in Rinaldo. Photo: Bill Cooper

Rinaldo review at Glyndebourne, Lewes – ‘exceptional cast and conductor’

Aug 9, 2019

Reviews

The Magic Flute review at Waterperry Opera Festival, Oxfordshire – ‘thoughtful and engaging’

Jul 30, 2019

Reviews

Lucia di Lammermoor review at Dorset Festival Opera – ‘unpardonably silly’

Jul 26, 2019

Reviews

Nabucco review at Dorset Opera Festival – ‘a mystifyingly vague staging’

Jul 25, 2019

Reviews

Il Segreto di Susanna / Iolanta review at Opera Holland Park – ‘an exceptional double bill’

Jul 23, 2019

Interviews

Jeff Clarke

Opera della Luna’s Jeff Clarke: ‘If you try to be funny in comic opera, you’ll fall flat on your face; play the truth in it, then it’ll be funny’

Jul 22, 2019

Reviews

Die Zauberflöte review at Glyndebourne, Lewes – ‘a trivial staging of Mozart’s comedy’

Jul 19, 2019

Reviews

La Fille du Régiment review at Royal Opera House, London – ‘takes a while to warm up’

Jul 12, 2019

Reviews

Lucio Papirio Dittatore review at Opera House, Buxton – ‘rare revival of Caldara’s opera’

Jul 10, 2019

Reviews

Georgiana review at Opera House, Buxton – ‘celebratory pasticcio’

Jul 9, 2019

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