George Hall

15 ARTICLES 714 REVIEWS 0 Comments

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

Reviews

4.48 Psychosis review at the Lyric Hammersmith, London – ‘extraordinarily accomplished’

Apr 25, 2018

Reviews

Coraline review at Barbican Theatre – ‘magical opera based on Neil Gaiman’s novella’

Mar 30, 2018

Reviews

Anna Netrebko in Macbeth at Royal Opera House, London. Photo: Tristram Kenton

Macbeth review at Royal Opera House, London – ‘well-cast, but unfocused’

Mar 26, 2018

Reviews

Claudia Boyle in La Traviata at London Coliseum. Photo: Tristram Kenton

La Traviata review at London Coliseum – ‘Daniel Kramer’s woefully misguided staging’

Mar 17, 2018

Reviews

The company of Wake at B12 Warehouse, Birmingham. Photo: Adam Fradgley

Wake review at B12 Warehouse, Birmingham – ‘ambitious immersive opera that lacks clarity’

Mar 15, 2018

Reviews

Scene from From he House of the Dead at Royal Opera House, London. Photo: Tristram Kenton

From the House of the Dead review at Royal Opera House, London – ‘extraordinary expressive power’

Mar 8, 2018

Reviews

English Touring Opera's The Marriage of Figaro at Hackney Empire, London. Photo: Jane Hobson

The Marriage of Figaro review at Hackney Empire, London – ‘perfectly cast’

Mar 5, 2018

Reviews

Soraya Mafi and Joshua Bloom in A Midsummer Night's Dream at London Coliseum. Photo: Tristram Kenton

A Midsummer Night’s Dream review at London Coliseum – ‘theatrical brilliance’

Mar 2, 2018

Reviews

Scene from Operet Opera Operec / Words and Music at Hackney Round Chapel, London

Operet Opera Operec / Words and Music review at Hackney Round Chapel – ‘an experimental double bill’

Feb 23, 2018

Reviews

Joyce DiDonato in Dead Man Walking at Barbican Hall, London. Photo: Mark Allan

Dead Man Walking review at Barbican Hall, London – ‘an expertly driven performance’

Feb 21, 2018

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Latest reviews

The Prudes review at Royal Court, London – ‘a probing comedy about sexual politics’

Moormaid review at the Arcola Theatre, London – ‘too many twists’

Gut review at Traverse Theatre, Edinburgh – ‘accurately pinpoints parental fears’

For King and Country review at Colab Factory, London – ‘a compelling immersive experience’

The cast of A View From the Bridge at Tobacco Factory Theatres, Bristol. Photo: Mark Dawson

A View From the Bridge review at Tobacco Factory Theatres, Bristol – ‘an outstanding update’

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Iolanthe review at London Coliseum – 'crude and misguided'

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