Train at the National Youth Theatre with The Stage Scholarships

News

Reviews

More

Opinion & Advice

West End

Musical Theatre

Backstage & Technical

Obituaries & Archive

Opera

Dance

Awards

Jobs & Auditions

Training & Drama Schools

Hot Topics

Broadway & International

Acting & Performance

Edinburgh Fringe

Shakespeare

Pantomime

Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

More from this Author

2010 in review: Fringe theatre

2011 in Review: Fringe

A Shrek around the world

Russells International Circus to launch touring academy from June 2022

News by Giverny Masso

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Advice by John Byrne

Should I focus on finding a day job or are my priorities wrong?

Careers Clinic by John Byrne

Does sport get preferential treatment compared to the arts?

The Green Room by Jon Dryden Taylor

Without swift action it won’t just be Cinderella facing Closure Day

People are more important than art. Theatre must do more to protect them

What’s the secret to a great adaptation? Focus on form as well as content

Where is theatre’s promised insurance scheme?

The rules may be relaxing, but that doesn’t mean all theatre audiences are

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

I love theatre, but not its damaging long-hours culture – it’s no way to live

How can we support freelancers? Give them salaries and a seat at the table

People are more important than art. Theatre must do more to protect them

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

Recommended for you

Russells International Circus to launch touring academy from June 2022

News by Giverny Masso

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Advice by John Byrne

Should I focus on finding a day job or are my priorities wrong?

Careers Clinic by John Byrne

Does sport get preferential treatment compared to the arts?

The Green Room by Jon Dryden Taylor

Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

More from this author

The Stage/Italia Conti scholarship winner 2021

The Stage/Cygnet Theatre scholarship winner 2021

Win free training at Razzamataz with The Stage Scholarships

Opinion

Latest
Most Read

Without swift action it won’t just be Cinderella facing Closure Day

People are more important than art. Theatre must do more to protect them

What’s the secret to a great adaptation? Focus on form as well as content

Where is theatre’s promised insurance scheme?

The rules may be relaxing, but that doesn’t mean all theatre audiences are

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

People are more important than art. Theatre must do more to protect them

Theatre has become a money-making machine. We have a chance to change

The rules may be relaxing, but that doesn’t mean all theatre audiences are

What’s the secret to a great adaptation? Focus on form as well as content

Without swift action it won’t just be Cinderella facing Closure Day

‘Freedom’ for the fit, worry for disabled audiences – is this what theatre wants?

Advice

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

by John Byrne

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

by John Byrne

Sterre Maier: 'You never know where one job may lead'

by John Byrne

Lottie Walker: 'I wouldn’t be doing my current show without my first job'

by John Byrne

Exclusive: Rebecca Kane Burton leaves LW Theatres after five years

Kane Burton’s departure comes after LW Theatres unveiled the new Theatre Royal Drury Lane, which has been restored as part of a £60 million project

Exclusive: Rebecca Kane Burton leaves LW Theatres after five years

Kane Burton’s departure comes after LW Theatres unveiled the new Theatre Royal Drury Lane, which has been restored as part of a £60 million project

Jobs

Customer Experience Team Mem...

Manchester £9.01/hour

Train at the National Youth Theatre with The Stage Scholarships

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access