The Stage/Sylvia Young Theatre School Scholarships winner 2019

Scott Rudin to step down from UK productions, Sonia Friedman confirms

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Don’t give us a break – intervals are an outmoded, unnecessary theatre convention

In the best retellings of Cinderella, the element of surprise stands out

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

The play’s the thing: why Ian McKellen’s age-blind Hamlet is no gimmick

It is time to bring theatre out of the Victorian era – our outdated models do not support freelancers

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Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

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Opinion

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In 2021, theatre has a chance to cement the revolution begun in the 1960s

Could cinema and theatre regain lost audiences with local collaboration?

It’s time to champion disabled theatre talent with an inclusive recovery

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

Scott Rudin claims pose major test for West End

Cutting Phantom’s orchestra to save money dilutes the sumptuous original

As theatre returns to normal(ish), freelancers deserve better working conditions

It’s time to champion disabled theatre talent with an inclusive recovery

In 2021, theatre has a chance to cement the revolution begun in the 1960s

Data can help theatre tackle inequality, but beware over-optimistic claims

Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

Actor Oliver Dimsdale: ‘I loved every second of my first job’

Digital Production Manager.

Private Peaceful

Atmospheric two-hander tells a nostalgic story of bravery and brotherly love

Morag Deyes to step down as artistic director of Edinburgh's Dance Base

Morag Deyes is to step down as artistic director of Dance Base in September, after 27 years at the head of the company

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Private Peaceful

Reviews by Dave FargnoliBarn Theatre, Cirencester/Online

“Gorgeous celebration”

One More Edit

Reviews by Rosemary WaughBristol Old Vic Digital Stage

Morag Deyes to step down as artistic director of Edinburgh's Dance Base

Scott Rudin to step down from UK productions, Sonia Friedman confirms

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Advice by Paul Vale

Advice

Actor Kashelle Taylor: 'Whatever set you are on, take time out to meet the crew'

How will drama schools operate summer courses in 2021?

by Samantha Marsden

Fight director Kate Waters: 'My first minute in a rehearsal room is the most important part of my day'

Actor Oliver Dimsdale: ‘I loved every second of my first job’

Recommended for you

“Absorbing energy”

Private Peaceful

Reviews by Dave FargnoliBarn Theatre, Cirencester/Online

“Gorgeous celebration”

One More Edit

Reviews by Rosemary WaughBristol Old Vic Digital Stage

Morag Deyes to step down as artistic director of Edinburgh's Dance Base

Scott Rudin to step down from UK productions, Sonia Friedman confirms