How do you train to become an opera singer?

News

Reviews

More

Opinion & Advice

West End

Musical Theatre

Backstage & Technical

Obituaries & Archive

Opera

Dance

Awards

Jobs & Auditions

Training & Drama Schools

Hot Topics

Broadway & International

Acting & Performance

Edinburgh Fringe

Shakespeare

Pantomime

George Hall

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as T...

More from this Author

2011 in Review: Opera

2014 in review: opera

2015 year in review: Opera

ENO announces plans for autumn return with Wagner’s Ring Cycle

News by Matthew Hemley

Drama schools welcome return of face-to-face teaching

News by Georgia Snow

La Clemenza di Tito

Long Reviews by Verity HealeyOnline/Grand Théâtre de Genève

How are university drama courses reacting to the pandemic?

Advice by Sarah Lambie

The time is right for It's a Sin – but many fought to make it so

Theatre must learn to balance social media’s benefits and downsides

Health passports may not be the fairest way to help theatres reopen safely

Putting Dorian Gray on Insta could be just Wilde

Prospect of spring awakening gives theatre cause for wary optimism

Stand up for the right to work across Europe – it’s a common-sense issue

Is it time to think differently about theatre buildings?

Not just star casting – community work is key to theatre’s future

At a time of desperate need, theatres overlook local talent at their peril

Seyi Omooba tribunal result is a huge relief, but not a cause for celebration

The BBC’s ‘greatest songs from musicals’ poll contained some telling omissions

Risky business: how will we know when it’s ‘safe’ to return to theatres?

Recommended for you

ENO announces plans for autumn return with Wagner’s Ring Cycle

News by Matthew Hemley

Drama schools welcome return of face-to-face teaching

News by Georgia Snow

How are university drama courses reacting to the pandemic?

Advice by Sarah Lambie

Mentor/coach Ceili O’Connor: 'Differentiate what you want from what you think you should want'

Advice by John Byrne

George Hall

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

More from this author

Natalya Romaniw: ‘If there are tears to be shed, I get the emotion out in rehearsal’

Opera composer Gerald Barry: ‘The most money you got was for an opera: so I decided to write one’

Tenor Mark Padmore: ‘I’m in awe of quite how wonderful Death in Venice actually is’

Opinion

Latest
Most Read

The time is right for It's a Sin – but many fought to make it so

Theatre must learn to balance social media’s benefits and downsides

Health passports may not be the fairest way to help theatres reopen safely

Putting Dorian Gray on Insta could be just Wilde

Prospect of spring awakening gives theatre cause for wary optimism

Stand up for the right to work across Europe – it’s a common-sense issue

At a time of desperate need, theatres overlook local talent at their peril

Risky business: how will we know when it’s ‘safe’ to return to theatres?

Prospect of spring awakening gives theatre cause for wary optimism

Boris Johnson shows government's thinking is still muddled on reopening theatres

Putting Dorian Gray on Insta could be just Wilde

Is it time to think differently about theatre buildings?

Advice

Win free training at Fourth Monkey with The Stage Scholarships

by Paul Vale

How are university drama courses reacting to the pandemic?

by Sarah Lambie

Mentor/coach Ceili O’Connor: 'Differentiate what you want from what you think you should want'

by John Byrne

Edward De Gaetano: My first job involved an embarrassing screen kiss

by John Byrne

The time is right for It's a Sin – but many fought to make it so

Richard Jordan reflects on the impact of It’s a Sin – set during the AIDS pandemic of the 1980s – and how Boy George show Taboo had a similar effect on him

£600k loan to failed operators of Leicester's Haymarket Theatre written off

A £600,000 council loan given to the collapsed operators of Leicester’s Haymarket Theatre has been written off by the local authority, following the company’s liquidation last year

Jobs

Backstage & Technical

London

How do you train to become an opera singer?

To continue reading this article you must be logged inRegister or login to unlock 3 free articles every monthOr subscribe for unlimited access

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital

To continue reading this article you must be logged in

Register or login to unlock 3 free articles every month
Or subscribe for unlimited access