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George Hall

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as T...

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George Hall

George Hall writes widely on opera and has contributed regularly to The Stage since 2000. He has also contributed to such publications as The New Penguin Opera Guide and the Oxford Companion to Music

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Theatre became a wasteland in lockdown – now I'm making the most of every opportunity

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How do you train to become an opera singer?

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