Freya Lewis tells John Byrne how acting helped her to process her trauma and find her calling
When I was 14 years old, I was seriously injured in the 2017 Manchester Arena bomb attack, and I unfortunately lost my best friend. Due to what I’ve had to overcome at an early age, I had a whole host of emotions that I didn’t know how to deal with. I went through a traumatic experience that changed the course of my life forever. However, becoming an actor was the only thing I could be certain about. Acting became my source of processing emotions; it was my therapy.
That acting journey eventually led me to training at LMA and the lead role of Susan Salmon in a production of Alice Sebold’s The Lovely Bones. Once the show was announced, our whole year gathered to do a table read of the play. We were about three scenes in before I knew that I not only had fallen in love with it but I wanted to play Susie more than anything. The play centres around her murder at 14 years old. She watches from a personal heaven as her family comes to terms with her death and tries to figure out who her killer was.
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The most helpful tool to get me into the character was to create a music playlist that encapsulated the world of the play. Listening instantly transported me into the mysterious world of the play. Music is something that is a useful aid to me when working on my craft.
Our rehearsal process wasn’t all smooth sailing, but I am sure this has prepared me for the completely unpredictable world of the theatre. I always imagined that screen would be my main focus in acting, but after this experience, I became fascinated with stage.
The first thing I remember from the performance was how nervous I was. I had convinced myself that I’d forgotten all of my lines. I even told my friend 30 seconds before the curtain went up that I’d lost my voice, which was just nerves talking. But once I stepped into that spotlight, I was on cloud nine. I loved every single second of it.
Looking back, I would have trusted myself more. I think actors often have imposter syndrome, but I think you should remind yourself that you earned that role. Seeing how much my parents loved watching it and hugging them at the end made it all worth it.
Age: 22
Training: LMA London
Theatre includes: Susie Salmon in The Lovely Bones, Aunt Maggie in The Ferryman
Other credits: Jess Phillips in Raffaello Degruttola’s performance-based film Little Boxes
Agent: Kelle Bryan, Advocate Agency
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