Lloyd Everitt graduated from the Royal Welsh College of Music and Drama in 2010. Since then he has worked with Michael Grandage at the Donmar, and performed at National Theatre and The Old Vic. Last year he played the youngest ever Othello at Shakespeare’s Globe. He is currently appearing in Casualty. Here are his five tips for acting, especially when you’re severely dyslexic.
Observe your sound and reactions from outside. Then, once you’ve found your essence, protect it. It’s what defines you as an actor. Or, to put that another way, a lot of actors pick on successful actors they admire and try to emulate them. Don’t. Be yourself.
Some actors lack self-belief and struggle to follow their own gift. That’s partly why there are so many mental health problems in this industry. If you don’t get the part you wanted, get back on the horse. Something else will come along.
Give yourself advice and reassurance. Don’t keep judging yourself and heaping harsh criticism on your own head. Just do what needs to be done. It will free you up and make you a better actor. You need a thick skin in this business but it shouldn’t be impenetrable and an inner voice is essential.
If you are dyslexic, as I am, you may need to find innovative ways of line learning. I have developed a system of drawing each line – a combination of a pictorial form of sign language and hieroglyphics. It works for me. You may find something similar works for you. My advice is to experiment.
Take time to sit quietly and dream. That’s what children do. Good actors never lose that ability. It’s a free and well-exercised imagination that allows you to go on journeys – and, in a sense, that’s what acting is.