Actor Wass Javed – 'Nervous feelings are just energy, you can use them in your performance'

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Is it worth reapplying to drama school next year?

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

People are more important than art. Theatre must do more to protect them

How can we support freelancers? Give them salaries and a seat at the table

Theatre has become a money-making machine. We have a chance to change

Covid passports are on their way, but will there be any theatre left to watch?

Rules have been relaxed but the crisis for theatre still has a long way to go

From Angela Lansbury’s Auntie Mame to Constellations of stars, casting is key

Recommended for you

Musical Theatre Academy staves off closure following funding campaign

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Is it worth reapplying to drama school next year?

John Byrne

John Byrne is careers adviser for The Stage and is also a writer, cartoonist, performer and broadcaster

More from this author

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Is it worth reapplying to drama school next year?

Opinion

Latest
Most Read

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Partnership, generosity and support will help Scottish theatre overcome this crisis

Women want to express their trauma in their art – we're writing the changes we want to see

Post-pandemic, theatres must stop penalising single-ticket buyers

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Exquisite Drury Lane revamp is a gift to future generations

People are more important than art. Theatre must do more to protect them

Filmed work was crucial in lockdown but theatre’s essence is lost on screens

Exquisite Drury Lane revamp is a gift to future generations

Don’t dismiss digital – it has spurred creativity and widened theatre’s appeal

Rules have been relaxed but the crisis for theatre still has a long way to go

Changing spaces: how theatre critic Fiona Mountford swapped the stalls for the stage

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Customer Experience Team Mem...

First recipients of Victoria Wood directing bursaries revealed

The recipients of the inaugural JMK Victoria Wood Bursaries have been announced, with directors Dale Edwards and Rachael Walsh selected to work on major productions at the Royal Exchange and Northern Stage

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Musical Theatre Academy staves off closure following funding campaign

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Is it worth reapplying to drama school next year?

Advice

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Amanda Stuart Fisher: 'We need to think about global challenges and theatre’s role in meeting them'

Kaysha Woollery: 'My first job came during the first lockdown. It was a godsend'

Recommended for you

Musical Theatre Academy staves off closure following funding campaign

Tanyaradzwa Fear: 'My first job taught me to be fearless, playful and free in my performances'

LIPA's Gary Horner: 'Do not wait for other people to give you permission to be creative'

Is it worth reapplying to drama school next year?