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Editor's Picks

Opinion

Mark Shenton: The truth is, there is no formula to manufacture event theatre

Dec 12, 2018

Opinion

Maisie Williams in I and You at Hampstead Theatre. Photo: Manuel Harlan

Andrzej Lukowski: Theatre’s Instagram experiment stumbles over its analogue roots

Dec 10, 2018

News

News

Hamilton star Rachel John: ‘Arts cuts will deprive children from lower-income families’

Dec 12, 2018

News

Sphinx. Photo: Deniz Güzel

Timberlake Wertenbaker and Jude Kelly join symposium exploring gender equality

Dec 12, 2018

News

JMK Award for emerging directors moves to the Orange Tree Theatre after seven years at Young Vic

Dec 12, 2018

News

LIPA proposes secondary school with focus on performing arts

Dec 12, 2018

Reviews

Reviews

McGonagall’s Chronicles review at Traverse Theatre, Edinburgh – ‘comedy doggerel’

Dec 12, 2018

Reviews

Cinderella review at Bristol Hippodrome – ‘opulent production values’

Dec 12, 2018

Reviews

Beauty and the Beast review at New Theatre, Cardiff – ‘pleasing panto’

Dec 12, 2018

Reviews

Peter Pan review at the Courtyard, Hereford – ‘energetic and imaginative’

Dec 12, 2018

Opinion

Hamlet

Hamlet: December 13

Dec 12, 2018

Tabard

Kanye put a stop to this bad behaviour, Mark?

Dec 12, 2018

Features

Interviews

Exclusive interview with Hamleys’ viral dancing elf Mike Rogers: “Quite a few big actors started here”

Dec 12, 2018

Features

In pictures (December 13): Hackney Empire, Hornchurch, Stephen Joseph, Acting for Others and more

Dec 12, 2018

Features

Original model box inset for Exit the King and Rhys Ifans (inset) in the production. Photos: Simon Annand/James Bellorini(inset)

Inside the model box: the National Theatre’s Playing With Scale exhibition

Dec 12, 2018

Obituaries

Obituary: Jane Wenham – accomplished classical actor and star of stage and screen

Dec 12, 2018

Advice

Advice

How to fill out the perfect UCAS application for a drama course

Dec 11, 2018

The Green Room

The Green Room: What do you want for Christmas?

Dec 11, 2018

International

Features

New York’s Lark theatre laboratory: ‘We ask writers for raw, personal work. We don’t care if it’s good’

Dec 10, 2018

Features

How to transfer a hit UK show to New York, America’s theatre capital

Dec 3, 2018

Broadway

Opinion

Soft Power at Center Theatre Group/Ahmanson Theatre

Howard Sherman: I just can’t get into the festive spirit of Christmas best-of lists

Dec 7, 2018

Reviews

Bryan Cranston in Network. Photo: Jan Versweyveld

Network review at Belasco Theatre, New York – ‘Thrillingly inventive and chillingly prescient’

Dec 7, 2018

In case you missed it

Interviews

Natalia Osipova. Photo: Rick Guest

Prima ballerina Natalia Osipova: ‘I don’t like it when artists get involved in politics’

Dec 7, 2018

Opinion

What are the best pantomimes of 2018?

Dec 4, 2018

Features

The Stage Podcast: Panto special with Sharon D Clarke, Susie McKenna and Lyn Gardner

Dec 3, 2018

News

Left Harry Potter and the Cursed Child, with top prices of £175 per part and Hamilton with top prices of £250. Photos: Manuel Harlan/Matthew Murphy

The Stage ticketing survey 2018: Top ticket prices up, cheapest get cheaper

Nov 29, 2018

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