Theatremakers from countries including Hong Kong, Turkey, Serbia, Hungary and Belarus discuss censorship in all its forms, from overt interference and the pressure to self-censor to the grey areas that can restrict artistic freedom
Having more – and different – people in the rooms where decisions are made can bring benefits for the communities impacted and for the theatre industry, too
As a multimillion-pound redevelopment of Wales’ biggest producing theatre continues apace, its leadership duo Liam Evans-Ford and Kate Wasserberg tell Catherine Jones about the work involved and share their artistic vision and wider ambitions for the venue
Theatremakers from countries including Hong Kong, Turkey, Serbia, Hungary and Belarus discuss censorship in all its forms, from overt interference and the pressure to self-censor to the grey areas that can restrict artistic freedom
Is audience confidence increasing? Or is the cost-of-living crisis worsening for some? David Brownlee’s analysis of theatregoers around the UK reveals some green shoots – and a degree of continuing uncertainty – in a complex landscape
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