Motown’s overflowing catalogue of hits provides the basis for this celebratory show and a sheer love of the music must make its fans want to see other artists pretending to be their heroes. But then, imitation is the sincerest form of flattery.
Nathaniel Morrison as Stevie Wonder in Dancing In The Street at the Cambridge Theatre Photo: Tristram Kenton
Part narrative, telling Motown’s extraordinary story, this is mainly a concert-style recreation of most of its biggest stars.
Ray Shell plays a former Hitsville soundman who, in recalling the hit factory’s glory days, introduces the singers - some of whom look and sound more accurate than others - and encourages the crowd to party.
Fronted by Robert Grose as Levi Stubbs, The Four Tops bring everyone to their feet, but - dressed in replicas of their white fur-trimmed gowns and fur capes - it is Siam Hurlock’s remarkable portrayal of Diana Ross and Paula Kay and Jacqui Zvimba as the other Supremes who provide a truly spine-tingling moment. Singing a medley including Stop! In the Name of Love and Baby Love, you could almost believe you were back in the sixties.
Old favourites include Smokey Robinson and the Miracles, Marvin Gaye, The Temptations, Martha and the Vandellas and Gladys Knight. Nathaniel Morrison makes a more-than-passable Little Stevie Wonder.
The eight-piece onstage band was never going to equal the incredible Funk Brothers’ sound but costumes, hair and make-up are authentic reproductions, as is choreographer Carole Todd’s reprise of the unique dance moves.
This is a cut above most nostalgia shows and everyone is as ecstatic as if they had been watching the real thing.
Production information can change over the run of the show.
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