Revealing a microcosm of humanity at the heart of this funny and frequently very moving play, director David Bownes foregrounds the inventive skills of his two actors in Marie Jones’ warm-hearted Irish tale.
Tightly played and generally maintaining good pace, as aspiring film stars Charlie and Jake, Martin Jenkins and Christopher Patrick Nolan each employ finely honed technique that, coupled with intelligent observation and precision timing, brings a host of off-beat characters vividly to life.
Opening moments that catapult audiences into the world of cinema, advertisement voiceovers get the audience laughing early. Designer Jack Kirwan sets a serried and symbolic line of boots and shoes against a film strip skyscape of rural County Kerry, a single prop box serving as table, chair or coffin.
As extras clamour to be in a Hollywood movie filming on location in rural Ireland the additional characters - old local Mickey, drug addict Sean, security heavy Jock, simpering production assistant Aisling and Caroline, the film’s glamorous and ruthless star - may only be delineated by a move or gesture but each is nonetheless well-rounded and clearly realised.
Among many glorious moments, Jake’s seduction by the languorous Caroline to enhance her dialect skills, a film ‘take’ that relies on split-second timing for a horse-riding sequence and a lively dance where idiosyncratic characters appear to fill the stage, stand out. As the play winds to a finale, anger and disillusionment set in but when their humour returns, it is not only Charlie and Jake who are left in a mood of up-beat optimism.
Production information can change over the run of the show.
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