A ballet version of Dangerous Liaisons is going to have problems conveying the complex plot. Much more than a menage a trois, it is a menage a just about everybody. Northern Ballet Theatre’s British premiere of David Nixon’s ballet treatment looks ravishing, though having the orchestra hidden backstage is a disappointment. The costumes are sensual and exciting. The duets are packed with intrigue and emotion.
A spoken commentary from Patrica Doyle makes things clear but the manner of it is awkward. Doyle is onstage throughout as the older Marquise de Mertuile, the pivotal figure in the story. She recalls her story and answers questions from an offstage male voice. When not talking, Doyle merely watches, which is puzzling and annoying.
The younger Marquise is played with calculating venom by the delicious Natalie Leftwich. Jimmy Orrante plays her adversary in sexual intrigues. Both make vicious predators.
Nixon gives the principal dancers opportunities to illustrate their scheming by having them dance as if playing childhood games. The dance depictions of sexual activity fulfill the story’s moods. Large mirrors doubling as revolving doors add to the intrigue and the feeling of voyeurism. A closing sequence in which other aristos turn on the Marquise looks and sounds unnecessary.
Chiaki Nagao makes a lasting impact as Madame de Tourvel, a tragic victim of the rampant scheming. Ginnie Ray, as the mother of another victim, provides some pleasing comedy.
This is a watchable and atmospheric ballet just needing some structural changes.
Production information can change over the run of the show.
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