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Swan Lake

Published Tuesday 30 July 2013 at 16:34 by Neil Norman

A lesser company might have buckled beneath the weight of scandals and bad press that have dogged Moscow’s premiere ballet company in the last few months. But judging by the opening night of their London season, The Bolshoi will carry on regardless. This muted - some might say mutated - Swan Lake may not be the finest ballet in their repertoire but there are few signs of stress within the company in performance.

Maria Alexandrova (Odette) in Swan Lake by the Bolshoi Ballet at the Royal Opera House, London

Maria Alexandrova (Odette) in Swan Lake by the Bolshoi Ballet at the Royal Opera House, London Photo: Tristram Kenton

In spite of the drab set of dusty black and dirty gold designed by Simon Virsaladze and Grigorovich’s wholly unnecessary tinkering with the steps and structure - rendering the story virtually incomprehensible - there is much to enjoy. Bolshoi beauty Zakharova has a fine, cool line and expressively elegant arms as Odette, combining a breathtaking precision with an unusually penetrating sense of transformation; she is the swanniest Swan Queen I have ever seen. She deserves a more animated Prince than Volchkov’s Siegfried, whose technique fails to mask a total absence of emotion. This is particularly problematic in the Black Swan pas de deux which fails to ignite the smallest spark of erotic tension.

It is to the lesser characters that one is constantly drawn: Lantratov’s Evil Genius (aka von Rothbart) is superb, unhindered by the customary wings that can transform even the finest character dancer into a ham. Virile and powerful, he shadows Siegfried like a puppetmaster, forcing him to do his bidding. As a brace of The Prince’s friends, Anastasia Stashkevich and Kristina Kretova are a delight, the former’s filigree steps and ebullient personality shining out amid the gloom of the subdued lighting. Likewise, the gazelle-like Anna Tikhomirova brings oodles of character and verve to her Spanish Bride, making the most of a small role.

The corps de ballet are, as always, drilled to within an inch of their fingertips. Sweeping and hopping in unison, flowing like liquid alabaster through their sequences - even the uninspired additions by Grigorovich who also messes around with Tchaikovsky’s score to the extent that there was one sequence I didn’t recognise at all. The Bolshoi orchestra - especially the solo violins - are, however, on song throughout.

Production information

Royal Opera House, London, July 29-August 15

Composer:
Pyotr Ilyich Tchaikovsky
Director:
Yuri Grigorovich
Choreographers:
Marius Petipa, Lev Ivanov, Alexander Gorsky, Yuri Grigorovich
Producer:
Bolshoi Ballet
Cast includes:
Svetlana Zakharova, Alexander Volchkov, Vladislav Lantratov, Denis Medvedev, Anastasia Stashkevich, Kristina Kretova, Anna Tikhomirova
Running time:
2hrs 25mins

Production information displayed was believed correct at time of review. Information may change over the run of the show.

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Run sheet

King's Head, Islington London
January 24-February 15
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