Last update less than

What's On

Reviews

The Owl and the Pussycat

Published Monday 23 July 2012 at 12:09 by Neil Norman

With their second ROH2 collaboration, composer Anne Dudley and former Python Terry Jones have turned from canine opera (The Doctor’s Tale) to one involving the unlikely liaison between feline and strigiform. It seems they are intent on creating a new genre - anthropomorphic opera.

(Claire Wild) Pussycat and Peter Willcock (Owl) in The Owl and the Pussycat at Brentford Lock, London

(Claire Wild) Pussycat and Peter Willcock (Owl) in The Owl and the Pussycat at Brentford Lock, London Photo: Catherine Ashmore

Part of the London 2012 Festival, this floating barge-based event is part of the mayor’s Secrets - Hidden London season and will dock in a variety of locations throughout July.

Edward Lear’s poem provides the starting point for a work that fills in the lead-up to the eponymous couple’s elopement by exposing the difficulties of a trans-species relationship, while sharpening up the political aspects of the tale.

Perched on top of an enormous book, the Owl (Peter Willcock) watches as a trio of pert felines opens another giant book to reveal a pop-up set. Smitten by the kitten of his dreams, the Owl attempts to woo Pussycat (Claire Wild) through song. As a prequel to the events of the poem, the story follows the early stages of the romance to explain why the unlikely couple were forced to sail away to “the land where the Bong tree grows”.

After a slow start, in which Dudley’s recitative seems rather jarring and forced, the music and the action become more integrated, and the lyrics from the small cast - several doubling roles - are clear and bright. Jones’ libretto manages to insinuate modish issues into the piece with deceptive ease. And the lack of child-friendly melodies is successfully masked by the performance concepts, which include a pair of handbag-wielding Mary Whitehouse cats from the “League of Feline Decency”, a Turkey Elvis impersonator waiting for the first couple to arrive at his wedding chapel and a Bong tree - complete with gong - who yearns to see the world but can’t because he is rooted to the spot.

The production ends as the poem begins, with the strangely touching sight of the Owl and the Pussycat stepping off the barge into a pea-green boat, rowing up the canal and sailing out of sight.

Some kids might be disappointed at the absence of the silvery moon at the end of the show, but not even the Mayor of London can control everything.

Production information

Brentford Lock, London, July 20, then touring London waterways until July 31 - www.roh.org.uk/about/the-owl-and-the-pussycat

Composer:
Anne Dudley
Director:
Martin Constantine
Producer:
ROH2/Mayor of London
Cast includes:
Claire Wild, Peter Willcock, Freddie Tong, Tyrone Landau, Samantha Houston, Amy Freston
Running time:
35mins

Production information displayed was believed correct at time of review. Information may change over the run of the show.

Search Amazon for The Owl and the Pussycat items Search for tickets at Ticketmaster

Run sheet

King's Head, Islington London
January 24-February 15
Loading