After nine episodes of Dick Barton Boy’s Own adventures at Christmas - punctuated by Cabaret Galactica, Femme Fatale and Woody Allen’s Murder Mysteries - Warehouse director Ted Craig has cast his eye back to the sunny plains of La Mancha.
A scene from Don Quixote at the Warehouse Theatre, Croydon Photo: Graham Constable
Vince Foxhall’s adaptation of Cervantes’ epic was first seen here in 1992. His version of the comedy - I use the word lightly - has certain key incidents included, omitted or changed. The tilting at windmills is effectively done with silhouettes. There is swordplay, as you would expect, but also wordplay - puns, rhymes, innuendo, double entendres and Spanglish, some of which is clever-clever, some just plain annoying, plus original songs.
A fine cast of actors/musicians, led by Philip Benjamin as the befuddled Don Quixote and Mark Sangster as a Scottish Sancho Panza, could do no more in bringing the story alive on Kim Alwyn’s impressive set. Morgan Philpott particularly stands out as he gives his multiple roles - priest, marquis, goatherd - the greatest contrast.
But Quixote’s confusion has seeped into the script. Sometimes it’s farce, sometimes musical theatre and sometimes just a mishmash. Barton had become an ailing horse in danger of being flogged to death, but for an expectant Warehouse audience, this doesn’t pack the same punch.
Production information can change over the run of the show.
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