Derren Brown knows how to provoke a response. But besides grabbing headlines with his Channel 4 specials, the psychological magician’s greatest feat has been reinventing the TV event. That and restoring credibility to a much-maligned art form.
His West End debut, ostensibly a rerun of the show he toured last year but looking none the worse for it, builds on both these achievements - with the inclusiveness of theatre adding an even greater sense of occasion.
But while on TV Brown downplays his role in proceedings - which may be a sleight of hand in itself - here his personality is to the fore, helped by a witty script and some unobtrusive direction. And what comes across strongest, aside from the unfailingly impressive feats of memory and suggestion, is a wryly self-aware sense of humour. Here he knocks the ponderous, self-aggrandising stunts of closest peer David Blaine’s into a cocked hat.
Only when the overt use of hypnotism in one trick, provoking a collective, disapproving intake of breath, renders two randomly selected audience members unwitting accomplices does his style rankle.
But then he is also not adverse to using a spot of trad magic’s showmanship to get us back onside, even when the parlour game frivolity of Part I is replaced by a darker but no less playful tone in Part II. And when Brown appeals for audiences and reviewers not to reveal its contents - although anyone who saw his live C4 seance will know what to expect - you get the feeling his wishes will be respected. After all, Brown does have an unswerving ability to get people to do what he wants.
Production information can change over the run of the show.
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