Imagination is what theatre is all about. Imagination of dramatist, actors, director and essentially the audience. “Let us on your imaginary forces work”, as Shakespeare puts it. “Piece out our imperfections with your thoughts.”
Certainly that is what is continually required in the latest Hijinx production of this absorbing new play by Kit Lambert, for Gulliver’s Travels encompasses little people at war, giants, an airborne island of academics, disgusting yahoos, talking horses - all to be depicted before one’s very eyes. Yet that is only part of this play, which delves deep into the heart of that supreme satirist Jonathan Swift, his turbulent relationships, misanthropy and ever-present fear of madness.
Louise Osborn’s powerful production pulls no punches, lightened on occasion by welcome humour. The issues are given full rein, as relevant today as ever they were - economic manipulation, corruption, self-seeking politicians, immigration, the obscenity of starving nations in an affluent world, the insanity of war, greed, avarice, hypocrisy. As the embittered Swift, Brendan Charleson gives a charismatic portrayal - savage, vulnerable, yet quite touching at times. Dr Lemuel Gulliver - played with remarkable verve by Michael Wagg - attempts to calm his tormented patient, while Zoe Davies and James Ashton complete the cast with a while range of contrasted roles, employing masks, puppets and a surprising use of furniture and props.
The ingenious standing set by Carl Davies is lit by Jane Lalljee, with music and songs by James Williams. Gulliver tours to more than 40 venues across Wales and England, culminating in performances in December at its base in Wales Millennium Centre, Cardiff.
Production information can change over the run of the show.
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