Bellini’s opera about a Druid priestess who breaks her vows by entering into a relationship with a Roman enemy is not only one of the peaks of the bel canto repertoire, but also includes what is arguably the most challenging role ever written for the soprano voice. The range of technical skills required, plus its musical and dramatic demands, not to mention its sheer length, place it beyond the means of all but the most outstanding interpreters. It says much for the artistry of Claire Rutter that she assumes it so superbly in this opening production of Grange Park’s season. She has further exploration to do, but this already an exceptional portrayal.
The remainder of the cast has strong elements. John Hudson is bold and forthright as her treacherous lover, Pollione. The Venezuelan bass Ernesto Morillo brings a superior voice and finely attuned acting skills to bear on Norma’s father, Oroveso. Sara Fulgoni looks tense and sounds a shade monochrome as Norma’s rival and later friend, Adalgisa, but she matches Rutter impressively in the great duets, while Stephen Barlow’s conducting seeks out all the passion and drive of the score.
Martin Constantine’s production is an effective piece of work, if a little short on detail and mysterious in its presentation of the ancient Gallic Druids as a group of modern religious terrorists/freedom fighters operating against an elusive enemy. Yet the power of the piece hits home.
Production information can change over the run of the show.
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