A voice-over extolling the lush green fields, purple mountains, echoes of poets and sad laments of Ireland and the Irish people helps to set the scene for this journey through Irish music and dance.
The show is quite racy in parts, particularly during a well thought out salsa meets Irish dance section.
Singer Nathan James and, in particular, a beautiful and gifted violinist/fiddle player, Eimear Bradley, are integral to painting such a vivid musical portrait.
A great lighting plot and a superb band are both well employed, as every imaginable piece of Ireland, the Irish people and the Irish music is played and danced to.
The split level stage set allows for the pace of the entrances and exits, and there is technical ability to admire amongst the dancers.
While using a live gigging band who work as a separate unit when not touring with this show, the band front man, the engaging and tuneful Kieran Cunningham, could have reached out to an audience which was clearly dying to be involved in some way, with a bit of the old craic.
Aside from the lack of audience contact, here we have a first-class mode of taking a River Dance-style show, putting it in a box and touring it to death.
Essence of Ireland is great for the 500 to 1,000-seat theatres.
The spectacle is certainly of exactly the correct stage proportions, with an extremely well choreographed troupe of boys and girls working hard to give the music its true meaning.
It is said there is never a bad seat in a Matcham house and the full dress circle clapped along merrily in this most wonderful of Frank Matcham houses.
With the addition of a bit more of the old blarney and some humour and audience contact, the Essence of Ireland show will be the complete package for all fans of the emerald isle.
Production information can change over the run of the show.
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