Hannah and Harvey

Published Monday 13 October 2008 at 11:55 by Gareth Vile

Inspired by the experiences of Helen Nunn, who provides illustrations and the accompanying exhibition, Hannah and Harvey studies the horrors of depression and panic. Given the seriousness of the subject, and target audience age of ten and up, there are some unsurprising mismatches of content and style. However, the sprightly script and confident setting ensure that this production both entertains and educates.

Hannah, played with intensity by Romana Abercromby, is a teenager terrified by the outside world. Her only friend is imaginary rabbit Harvey. Harvey feeds her insecurities, trapping her inside her own pictures - with her father’s help, Hannah is compelled to confront her tormentor.

James Lapsley’s set design doubles as bedroom and oppressive interior world, emphasising the claustrophobia of Hannah’s condition. Animation from Jonathan Reid and a discreet yet telling lighting design from Paul Sorley develop the atmosphere, plunging the mood from joyous to despair with the same mercurial ferocity Clare Waugh brings to Harvey.

By the final battle, the audience are rooting for Hannah. The simple message and moral is expressed, and a serious issue is not trivialised, despite the rapid pace. Solid performances and a compassionate characterisation make this an engaged show that avoids preaching or mystification.