A host of talented debut RSC appearances gives this whole production a fresh and vibrant approach. Not a hint of doublet or hose anywhere, this is a thoroughly contemporary event dressed up in smart black suits and brightly coloured dresses.
The stunning set design by Laura Hopkins is totally in keeping with the stage direction by Tim Carroll, another newcomer to the RSC. A simple sweep of background wall is split into two - the ground level opens up into various entrances and exits and the upper section provides a balcony that can also be divided in intriguing ways. Carroll uses the set to great dramatic effect, at times completely ignoring the accepted rules of direction. Georgina Rich is Portia at her most icy, she is resigned to her fate but when her heart is melted by her suitor Bassanio she radiates warmth and love. Angus Wright is a slick and dapper Shylock, successfully breaking away from stereotypical images of Jewish money lenders. James Garnon as Antonio, Jack Laskey as his friend in need, Bassanio, and John Paul Connolly as Gratiano all give lively performances, adding humour and a youthful charm. Amanda Hadingue is stoical as the ever-dutiful maid to Portia, who echoes her mistress’s story with her own love affair with Gratiano. The minimal set and simple costume design helps us to focus crisply in on the meaning held within Shakespeare’s words, offering a new-found clarity and creativity.
Production information can change over the run of the show.
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