Like no other artist, perhaps, homages to Elvis have always - and probably always will - range from the impressive right through to the totally dire.
Lee 'Memphis' King in the touring production of One Night With Elvis - The Legend Continues Photo: Memphis King
Judging by this quality performance at a pretty full Apollo, Lee ‘Memphis’ King is certainly among the premier league of tributes, his attention to detail never better than during his 1968 Comeback Special section, seated with a few band members and joking with the audience and musicians alike, just as Elvis did, apparently.
Before that though, he’d looked slightly less sure of himself as the opening young Elvis - Jailhouse Rock et al - not least as he doesn’t play the guitar, something the audience needed to accept early on, and forget.
The evening really lifted off when it was time for the Las Vegas era, a fabulous version of Bridge Over Troubled Water raising the vocal bar to a level it rarely really dipped from afterwards.
Clearly, it’s the era this particular Elvis excels at and revels in portraying. Having a fine live band with you always helps, and with the bonus of a lovely string section and two versatile female singers, this was always going to be one of the better Presley experiences. Best of all, maybe, Lee ‘Memphis’ King doesn’t shy away from performing some of the more obscure covers, such as Just Pretend, which I’m sure pleased any real aficionados present.
It’s the likes of Suspicious Minds which are the real crowd pleasers though, performed here with real style and total conviction - in truth though he’d long won over the Apollo by the time he sang that classic.
Production information can change over the run of the show.
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