Transferring from the intimacy of the Menier, Little Shop of Horrors has found a more than suitable home at the Duke of York’s. Any fears that the original production might be dwarfed on a West End stage are soon allayed and David Farley’s design remains a vital factor to the success of this production. Most of the original cast remain with the show and newcomer Alistair McGowan is an exciting addition as the sadistic Orin Scrivello. His versatility as an impressionist works beautifully for the fact that he plays at least five other minor characters.
Paul Keating’s Seymour is still a powerhouse performance, although the larger stage seems to have turned him into an acrobat, judging by the way he leaps across the stage. As remarkable as this is to watch, it sits somewhat incongourously with the characters geeky, awkward image.
Barry James is still perfect as the curmudgeonly Mr Mushnik, and Mike McShane evidently relishes this opportunity to play the funniest, sassiest pot plant in the West End. Sheridan Smith is, quite frankly, superb as Audrey. This young actress has impeccable comic timing and a winsome appeal that fills the auditorium. In a season dominated by leading ladies, Smith leads the way.
Katie Kerr, Melitsa Nicola, Jenny Fitzpatrick as the chav girl group Crystal, Chiffon and Ronnette, attack their numbers with verve and provide the perfect Greek chorus for the strange goings-on on Skid Row.
Lynne Page’s spikey choreography perfectly complements the score, and Matthew White’s direction offers the audience the slickest show in town.
Production information can change over the run of the show.
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