Eve Ensler’s smash hit show not only gives its performers the opportunity to celebrate their womanhood but also the chance to redefine themselves in the eyes of their public, with numerous theatre virgins including pop stars, comedians and even models occupying the now iconic stools.
It is an obvious vehicle, then, for Natalie Cassidy, who having recently left EastEnders after 12 years, is attempting to distance herself from Sonia Jackson.
Her first time on stage since she was eight years old, she gives a solid if unremarkable performance. Instantly likeable and in possession of natural comic timing, she starts off well enough with Hair, the witty monologue about a indignant woman who is made to shave her vagina by her husband.
Furthermore, she clearly enjoyed leading the audience in the infamous cunt chant. However, she does not yet possess the maturity to completely pull off the Bosnian rape piece.
Rhona Cameron, meanwhile, excels at Workshop, a hilarious account of a clitoris awareness session and gives a touching performance of Koochie, which chronicles a young girl’s sexual awakening.
The undoubted star, though, is Sue Holderness, who, as well as playing the role of Marlene in Only Fools And Horses, has wealth of theatre experience, which clearly shows here. Her rendition of Flood, the story of a woman whose sex life died before it even began, drips with pathos and bittersweet humour, while her performance of Moans, an illustrated guide to climatic noises brought the house down.
Even though Holderness is in a class of her own, the trio work well as an ensemble, their easy rapport with each other and the audience making it an uplifting and very enjoyable show.
Production information can change over the run of the show.
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