The Stage

Movin’ Out

Published Tuesday 11 April 2006 at 13:10 by Lisa Martland

It is likely many a theatregoer will assume this Broadway export follows the Mamma Mia! formula - a string of hits made famous by the same artist, all tied together by a flimsy libretto. In this case, though, they would be wrong. Movin’ Out should not even be billed as a musical, instead it is an electrifying dance show, inspired by the substantial songwriting talent of Billy Joel.

While the excellent band is on stage throughout (mostly suspended above the action), director/choreographer Twyla Tharp ensures that the audience’s focus remains on the incredible dancers and the story they tell. It is Long Island in the sixties and Act I sees high school friends Eddie, Brenda, Tony, James and Judy beginning to form life-changing relationships. No longer with Eddie, Brenda finds a new kind of love with Tony, while James and Judy prepare for marriage.

But their cosy world is soon rocked by the onset of war. In Act II Eddie goes off the rails, unable to cope with his guilt following James’ death in action and a broken Tony rejects Brenda’s support. Finally Judy’s forgiveness allows Eddie to move on and Tony and Brenda are also able to reunite and begin again.

While the early part of the evening is entertaining enough, it is post-interval that this show really comes alive. Repeating the role he played on Broadway, Ronnie Todorowski gives an exhilarating performance as Eddie. Not only is his energy and passion irresistible but his dancing is simply breathtaking. Also making the transition from the Great White Way are David Gomez and Holly Cruikshank, thrilling as Brenda and Tony, with their reconciliation dance (accompanied by Joel’s Shameless) being a particular high point. As Judy, Laura Costa Chaud makes a memorable and moving journey from happy go lucky girl in love to angry and grief stricken widow.

Tharp’s choreography is outstanding, for she seamlessly merges contemporary and classical forms, injecting the movement with an intense sense of freedom. When all the right theatrical elements are in place, this is exciting stuff.

While in the shadows at times, ex-Fame Academy contestant James Fox is a fine choice as the piano man, providing impressive lead vocals (unfortunately drowned out on occasions) and proving himself a natural in this environment.