Marlowe’s Doctor Faustus is a festival staple the world over because it throws up so many mirrors on contemporary times and mores, a fact inventively exemplified in director Rikki Tarascas’ surreal take on today’s financial temptations.
Apparition experiments with real and virtual bodies.
This was an exemplary festival event.
A multidisciplinary fusion of installation art, cinematic projections and theatrical confrontation, Land’s End is a taut, teasing integration of all three that buffs them up against each other in stylish but ultimately lifeless collisions.
These four very different pieces from the Trisha Brown Dance Company take the audience on a journey from the expressive to the avant-garde.
It takes a while for your eyes to adjust to the dark.
The recent Rapture prediction of the end of the world failed to materialise - as one headline put it, “Apocalypse not right now”.
The international festival circuit is full of shows of a particular genetic make-up, with a visual and/or aural component that transcends language and geographical barriers and borders.
Inspired by Patrick Barbier’s book about castrati, Teatro de Ciertos Habitantes’ piece Monsters and Prodigies is a history lesson, a study in postmodern performance and a thought-provoking tribute to this oddest of phenomena.
Richard Shannon’s solo show, based on the life and activism of Burmese democracy campaigner Aung San Suu Kyi, is a simple and inspiring record of one woman’s struggle.
Neil Bartlett, a gay theatremaker who has long adopted Brighton as his home, pays moving tribute to another iconic gay writer who also loved the town, Oscar Wilde, in For Alfonso, premiered for one night only as part of the Brighton Festival.
Hydrocracker’s revival of its 2007 production, drawing on five of Harold Pinter’s political plays, is a profoundly disturbing experience.
Best known for his collaborations with Akram Kahn and Alain Platel’s Ballets C de la B, choreographer Sidi Larbi Cherkaoui’s UK premiere Apocrifu is a stunning piece of dance theatre.
Choreographer Charles Linehan is renowned for the understated nature of his work, and these two pieces are no exception.
Inspired by the words of French poet Jacques Prevert, Peut-etre Theatre’s Draw Me a Bird is a delicate, beautifully crafted piece of children’s theatre.
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