Seven Brides for Seven Brothers is a classic ‘old American’ tale of boy meets girl, cons her into marrying him in order to look after his six brothers, then convinces the same brothers to go into town and steal the girls that they have fallen for.
With their high-necked blouses and buttoned-down, fifties personas, repressed spinster trio The Kransky Sisters are the antithesis of the sequined world of musical comedy.
This second of African-American Tarell Alvin McCraney’s Brother/Sister plays follows last year’s success, The Brothers Size, now revived in the Young Vic’s studio.
Quite why the adoptive mother at the centre of Polly Teale’s play allows her middle class guilt to consume quite so completely is never fully explained.
This is a sensational celebration of three great Russian composers, and the dynamic of the evening builds to a huge climax.
The Red Ladder company is on the road again and taking on a more extensive touring role in this, its 40th year.
Back in 1974, Ayckbourn chanced his arm with this thin Chekhovian comedy in which nothing much happens except a group of unhappy friends sitting around talking about their problems.
Rarely have I laughed so much during the “two hours traffic” of a Shakespeare play as during this fresh and feisty revival.
It’s not very often that dance companies make overt or sensitive political decisions.
Often assigned to an end of evening frippery, Ionesco’s early one-acter is given a rare solo outing by Benchtours on what is likely to be its valedictory tour.
The Garrick’s ambitious rep company has pulled off a mighty coup not only by attracting top-notch performers for its latest season, but in winning the rights to perform this bittersweet drama in the first place.
In a busy hospital in the Bronx, a Dr Mandl ponders the curiosity of fate as he performs life-saving surgery.
Momix, named after a brand of cattle feed, is neither dance nor circus nor gymnastics but has elements of all these.
Set in a sparse cell in Beirut, Lebanon, three hostages attempt to retain their sanity in the face of constant confinement and possible death.
Content is copyright © 2008 The Stage Newspaper Limited unless otherwise stated.
All RSS feeds are published for personal, non-commercial use. (What’s RSS?)