Production information can change over the run of the show.
The orgy that launches David McVicar's production of Rigoletto, new in 2001, may have lost some of its hedonistic edge but it at least raises more of an eyebrow than a titter. Michael Vale's enterprising set remains as striking as before - a huge, steeply inclined, corroding iron sheet conjures up a bleak vision of a Mantuan court that's as deviant as its libidinous Duke. The set rotates to reveal Rigoletto's ramshackle dwelling, a physical reminder that the acerbic, performing court jester has a flip side in the self-pitying widower who's obsessively protective of his daughter Gilda...
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